Tag Archives: longarm quilting

Quilting Assembly Line

In a previous post, I referred to the multitude of quilt tops I had ready for quilting.

Realtree table runner jennyskip
future table runner on Realtree camo fabric

Since I got the Qnique and Grace Frame, I may have quilted about 5 or 10 items. I hoped to have acquired expert status with this set up by now, but it hasn’t been like riding a bicycle. The  brain and muscle memories haven’t automatically renewed every time I tried a new project. Each project has its own set of peculiarities!

Since most of the pile (seven of them) consisted of table runners, I thought maybe I could pin several of them up to the Grace Frame, and quilt them all at the same time, and see how it went.

5 quilts jennyskip
5 table runners pinned up to the quilting frame

This frame is supposed to accommodate fabric to make a king-size quilt. I was able to comfortably fit 5 of the 7 table runners across the width, with a little space in between each. The backing is pinned (with the right side facing down) onto the first (top, furthest back) leader cloth, and to the second (center) leader cloth. I have marked on each leader cloth a mid-point. Normally I would fold the fabric of the top, bottom, and batting in half and pin that half-way point to the mid-point on the corresponding leader cloths. To match up the mid-points on all these separate fronts and backs of the table runners, I just counted the marks on the top leader cloths and lined them up with the marks on the bottom leader cloths. I realized later, that not all of the table runners were the exact same length,  so that was one major problem with this set up!

A while back I bought 2 big rolls of batting on sale, anticipating that I would be making a whole bunch of quilts. I use one of them most of the time, for the smaller baby quilts and lap quilts. I can position the roll on the floor in front of the frame, and just roll out the batting up  onto the frame as I am rolling out the fabric to be quilted. The one end of the batting layer is pinned to the backing, and then the quilt top is pinned to those two layers, forming the quilt sandwich. I actually purchased a fourth rail for the Grace frame, onto which the batting roll can be wound. One of these days I will find that fourth rail and install it. The second of the two batting rolls is for larger-sized quilts. The batting is folded double, and then wound onto the cardboard roll. So it doesn’t conveniently unwind from the roll like the first one does. You have to unroll the estimated length of batting, cut it off, and then unfold the large section of batting in half, and pin it to the backing.

One thing I enjoy about the Qnique and Grace Frame set up is that pinning the fabric layers to the frame takes significantly less time than pinning the layers of a quilt for quilting on a home sewing machine. You pin the selvedge edge of the backing to Leader #1, then the opposite end to Leader #2, then roll it up on the rails, smoothing it out with your hands. No need for fifty-thousand pins with the little foam bobbers, or safety pins, or clips. However, in this case, since all the table runners were not the same length, and there were so many separate edges above and underneath the batting layer, a bit of mayhem ensued.

batting, top jennyskip
removing the quilted table toppers en masse

All five pieces were conjoined in the batting layer, as seen above. But when the ruler base attached to the throat plate of the Qnique slid across to continue quilting the top next to it, it sometimes slipped the backing layer of its neighbor (underneath the throat plate) out of alignment, which wasn’t easily seen from the top side. And because all the tops and bottoms were of slightly different dimensions, some of the backing layers had a bit of slack, which wasn’t easily seen from the top, and which resulted in a few big puckers.

DH (Skip) suggested that next time, I sew the edges of each runner together prior to quilting them on the frame. I don’t like that idea, because I feel that the seam ripper should be used for ripping out undesirable stitches that occur by accident, not on purpose. But, if I ever do 5 at a time again, it might be worth a try to see if sewing them together causes less shifting of layers.

After the quilting, and cutting out the separate runners, and truing up the edges, I found that I would need to rip and redo several areas of quilting, due to puckers, overlaps, and other unsightly mistakes. In a couple of spots, when I slid the Qnique over to the next runner, the hopping foot got entangled in the edge of the top fabric and had to be cut loose with scissors. Sheesh.

goof jennyskip
overlap from the throat plate sliding under and shifting the backing
big pucker jennyskip
big pucker

The worst shifting and puckering occurred in the inner  three table runners. The outer two turned out with the least amount of rework needed, perhaps because the bungee clips which hold the fabric taut, are attached to the two outside runners. This is the reason for DH’s suggestion that all the lengthwise edges be seamed together for quilting, so that the tops and bottoms are one continuous piece of fabric during the quilting step. But I also feel that these errors can be chalked up to overall unfamiliarity with the process. Perhaps they could be prevented in the future by smoothing all the fabric pieces, exercising extreme vigilance of the under layer, and perhaps installing the fourth rail and rolling the batting on it, thereby keeping the batting layer more taut and uniformly stretched out during quilting.

end runner jennyskip
Best result, one of the two end runners

Next pass, I pinned up the last two table runners to the frame. These, too, were of slightly different lengths, so one of them had some slack in it during the quilting step.

last two runners jennyskip
last two runners quilted together

I pinned them up closer together, practically touching, but I didn’t sew the edges together. I ended up with a couple of minor puckers and overlaps. But the one with the pink backing, because of its additional length compared to the other one, had about a 5-inch space at the end that couldn’t be passed over with the machine, because its neighbor was already at the end of its quiltable area.

end of runner jennyskip
unable to finish this area

So this last little bit, as well as several areas on the previously mentioned runners that had to be picked out and re-quilted, were done on the Brother SC9500 with the free-motion hopping foot installed. BTW, that Brother is an awesome little machine, and very affordable!

Brother jennyskip
Rework on the Brother machine

I did manage to get all the quilts (3) and table runners (7) finished, reworked if necessary, and bound. Here are a few pics of the finished items.

Suess jennyskip
lap quilt from Robert Kaufman Celebrate Suess fabric collection
Suess precuts jennyskip
Lap quilt with Robert Kaufman Celebrate Suess IV precuts
Christmas quilt jennyskip
Christmas Tossed 9-Patch lap quilt (pieced last year) with red satin blanket binding
Orange and Blue/Camo jennyskip
Orange and Blue/Camo table runner

 

 

 

Mossy Oak runner
Mossy Oak Breakup/ stitched camo remnant runner
gator remnant runner jennyskip
Gator collegiate fabric/ RealTree remnant runner
berry red runner jennyskip
Red berry Tree Hugger/Real Tree remnant runner
pink runner jennyskip
Pink Tree Hugger/ Real Tree remnant runner
TrueTimber MC2 runner jennyskip
TrueTimber MC2 remnant runner

The last one is not bound yet, because I couldn’t find anything in the stash right away that would make it “pop.” But the cats love it already. This is a slippery, satiny fabric that is possibly meant to represent snowy winter camouflage. For a backing, I used a silvery hologram-looking knit fabric. I love all of the camo remnants!

The Tree Hugger machine embroidery pattern came from Embroidery Library.

So the Assembly Line experiment was not trouble-free, but it was an adventure!

 

 

Practice Quilting

by jenny

Quilting in the 21st Century is an art form. I’m fascinated by what exactly influences a person to become a quilter, and to find out from them what keeps them interested. Some quilters love to enter their quilts in competitions. Others say the competitive arena turns them off. Some love to teach others. Some love to make gifts, those that document history. My grandmother and mother were quilters. Sometimes I think of sewing as an albatross across my neck, sometimes as a badge of honor.  People have all sorts of aims and reasons for engaging in fabric manipulation.

Irish Chain craftsbyjennyskip.com
Irish Chain quilt top–will wait till I get better

I’ve enjoyed quilting on a regular domestic sewing machine, but it does have a few draw-backs for me.

Using a long-arm sewing machine with a frame is different, and in my mind, better in some ways.  1) You can stand up while quilting.  Sitting down for hours every day can be a drag, when almost everything you like to do must be done sitting down.  2) You don’t have to insert 200 or more pins in the quilt with the longarm. The rollers on the frame keep it together pretty well, and it has bungee clips for keeping the layers taut while they’re being quilted. 3) You don’t get as hot quilting with a longarm as you do on a sit-down machine, because the quilt is on the frame, not drifting around on your lap, and you don’t work up a sweat moving the heavy thing around under the needle. 4) It looks like the quilting goes faster using a longarm.

We looked at lots of brands and types of machines, and ultimately chose the Qnique because it was certainly the lowest-priced longarm, although it does come up in lots of online searches for “mid arm.” I’m understanding that the term “mid arm” usually refers to a “sit-down” type long-arm, one that you put on a table, and move the quilt around underneath the needle as if you were using a big ol’ domestic sewing machine. The Qnique is more like a petite little longarm machine.

We got a good deal on it, and actually developed a rapport with the company before deciding to buy.  Since there are no retail outlets in our vicinity that we could buy from, we wanted to know what sort of maintenance we might need, and who could work on the machine if it needed fixing or parts or if we couldn’t figure out how to put it together. They have lots of You-tube videos for all the various questions a customer might have. We did have to wait about a month to get it delivered, because there were lots of backorders for this machine.

practice quilting craftsbyjennyskip.com
practice quilting
practice quilt stitch craftsbyjennyskip.com
practice stitching

I’ve been doodling around on practice fabric–you know, the fabric that you don’t really like but would feel guilty throwing away because someone important gave it to you. And it needs to be solid-colored fabric, so you can see what the stitches look like. The first few things I’ve done have a few ugly bobbin-tension-challenged stitches on the underside, so I will have to nip that little problem in the bud. I must say, though, the top stitching looks pretty good.

After checking around the net, I’ve been surprised to learn that most quilters do free-motion quilting on a longarm. Some use templates to create geometric quilting patterns. Some quilt machines use a laser stylus to trace patterns, and some are controlled by a computer, making the quilting process automated. Thus, the 21st Century has wrought technological advances to the formerly time-consuming task of making covers out of smaller pieces of cloth. The modern quilts may not turn out more beautiful than the ones our ancestors made, but we can finish them quicker.