Category Archives: Sewing

Restoring Raggy

Poor doll! He got involved in a fracas and sustained a few injuries:

Shaggy jennyskip
Seen-better-days Shaggy

His hands, neck and arm were shredded (dog bite?) and one arm was limp from lack of stuffing. And one shoe was beginning to separate from its ankle.

Job #1  was to repair the gaping wounds.

I’ve had plenty of time to think about it. This project has been on the docket for a pretty long time, but it occasionally got covered up by a pile of fabric or a stack of mail, so it was out of sight, out of mind. Finally I picked up a hand sewing needle and found some thread that was close to this skin tone, and went to work.

After I fixed up his body, a thought occurred to me. “Dude, what happened to your clothes?”  He had no comment. I figured, why not make him something to cover up with?

First set of pants bombed. The clodhopper feet were too big to squeeze through the skinny pant legs.  The revised pair had velcro closures on the inseams. These pants are made from the actual several inches of pants legs that I cut off a pair of Skip’s pants [see prior blog post from 2015: Modern Hemming].

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With some makeshift clothing…

I confess, I’ve never been a whiz at making doll clothes. This quick-and-dirty “minimal effort” little project had me grinding my teeth as the tiny seam allowances sent fabric down the throat plate hole into birds’ nests that had to be cut from underneath to extricate them. I had a feeling that the previous clothes on this toy had something to do with the gaping slash on his neck; that the simple task of playing dress-up resulted in the doll’s near-decapitation. But although I don’t have a workable intuition about making clothes for this guy, I admire the workmanship that must have gone into making him. The meticulously fringed, pieced hair style, his embroidered facial features and chin-scruff, and his slouchy posture all give true representation of the “real” character [You know he’s not real, right? He’s a cartoon]. And then again, he was mass-produced.

Somebody somewhere came up with a plan for toys like this to be created and then mass-produced. I imagine somewhere, a factory is probably humming with machines 24 hours a day, sewing goofy smiles and eyebrows lifted in surprise on cloth faces, adding darts on ankles and outlining fingers in little plush hands. The line supervisor gets an order from the shipping department saying: “Ten thousand more Shaggies” and proceeds to upload the manufacturing process specs.

I did find this enlightening video on You Tube about toy designer Longia Miller, who I now hold in highest esteem! From watching the video, I see that her sewing machine is making use of a throat plate that has a tiny hole, down which it would be fairly impossible for a fabric to slip.

According to Wikipedia, one of the first mass-produced plush toys in the US was the Ithaca Kitty, in 1892. And apparently it was a 3-piece printed pattern that the buyer had to cut out, sew, and stuff, herself. From reading the narrative on the patent, I see that inventor Celia Smith listed a few reasons why her stuffed animal design was “well-adapted to displace” the designs of some other toys that are made from  “a number of pieces of cloth (eight or more)” and could be “dragged about by a limb until they lose their original scanty ICO resemblance to an animal and fail entirely to appeal…”

You gotta love the visionary minds of the toy designers and makers,  demanding realism, durability, safety, and worthiness of entertainment value to be built into our children’s playthings.

 

Interdependence on Independence Day

Happy Fourth of July!

Been busy and my little projects are humble! But I’ve had other things to do.

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new old bedspread

This red satin (polyester) comforter was old and the batting inside had gotten all bunched up. I was going to throw it away, but the top of it was really a very savory huge piece of fabric. The bottom layer was a nasty old threadbare rag covered with fabric pills; if the skin of my foot ever accidentally touched the backing during the night, I would wake up recoiling in disgust. (My feet are very sensitive to substandard fabric!)

While shopping at JoAnn’s, I spotted a bolt of that extra-wide (108″) fabric that can be used as backings for large quilts, without having a seam.  So I slashed the quasimodo comforter, removed the hump of bunched up batting and the nasty backing, and replaced both with something new.  I thought of my grandmother, who told me that when she was young (in the Great Depression) they would cut the worn bedsheets down the middle and then re-sew them with the outer sides now seamed together in the middle. Waste not, want not!

cotton backing jenny skip
with new cotton backing

For quilting, I loaded it up on the king-size Grace frame, and I mostly traced over the embroidery on the satin top, and experimented a little with the Qnique.  I didn’t care about making it perfect.

I still haven’t mastered getting the bobbin tension right with the Qnique.

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quilted back of patriotic table runner

If you look closely at the quilted back of this table runner, you can see the ugly bobbin stitches.

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flag and eagle machine embroidery from Embroidery Library
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finished table runner project

This Fourth of July table runner was made from a cute little remnant, a remnant piece of fusible fleece for batting, and a collection of red, white and blue remnants die cut into tumbler shapes with an Accuquilt template. Binding is Wright’s double fold bias tape.

Are you watching fireworks tonight? Be safe.

 

Creative in Carolina!

After a fun visit to North Carolina, I’m convinced that it is the friendliest location of all, for artisans and makers of all creative crafts.

First off, I had to make a stop at the Cary Quilting Company.  The shop was busy with pending classes and folks stopping in to visit and talk with the proprietors. I didn’t do any prep work before I darkened their door, to look for particular fabrics or items, but just tried to find interesting things that mightn’t be found any where else. As so many little quilt and sewing shops seem to fall prey to underpatronage in favor of cheaper, more ubiquitous big box outlets, I want to do my part to keep them in business, if I can. Within reason, that is.

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snagged some unique Cary Quilting paraphernalia
Clock wise from back left: a packet of patriotic Moda Red, White and Free cotton, the Big Book of Scrappy Quilts by Martingale, the Cary Quilting Company Block 3 fabric and pattern for the 2016  Quilt! Carolina Carousel Quilt, I Love North Carolina Pillow Pattern , the 2016 Row by Row Cary Quilting Company pattern and top fabric for “Home in the Oaks,” and a 2017 Plate: “Stitch Local.”

The pillow pattern is a pretty fun idea. I’ve never really seen anyone get excited about an odd-shaped pillow that represents one of the United States. I live in Florida, and I’ve never seen anyone in FL get excited about a state-shaped pillow. But in NORTH CAROLINA, the residents react with utter delight! “Oh, cool!” they say when they see it. Like they’ve always wanted a very odd-shaped, off-kilter, jaggedy, state-shaped pillow and they just now realize it! Or a North-Carolina-shaped mobile hanging from their ceilings, or Christmas ornament, or doorknob hanger! I mean, they get almost as excited about a North Carolina-shaped pillow as we do about a plushy Florida gator!

Meanwhile, we stayed in Carrboro, a creative little town that is an extension of Chapel Hill, the home of UNC. Carrboro is overflowing with charming little crafts stores and hippie hangouts. One shop, WomanCraft Gifts, had loads of handmade things from local artists, including jewelry, wooden pens that had been turned on a lathe, wood segmented bowls and boxes, paintings, ceramics, quilts, dolls, clothing, all sorts of things from the practical to the beautiful.

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apron with attached tea towel
I found this apron with an attached tea towel sewn into the waistband, and I had to get it! Why? Because the tea towel reminded me of when my grandmother taught me how to do Swedish Weaving when I was little, on huck cloth like this aqua-colored piece here. This apron is of a very soft fabric. And what a great pattern.

Another creative item on sale in WomanCraft was the Chapel Hill Toffee, which is made by a local family business. Ah, yeah! It definitely tastes as good as it looks on the box top here:

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Chapel Hill Toffee
We took a stroll through the Historic Carr Mill Mall, which has several gift shops, a perfume shop, high-end clothing and shoes, and a savory fabric shop: Mulberry Silks.

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Carr Mill Mall
We picked up some sumptuous food items from the friendly market, which was having a couple of taster specials going on. Patrons who come into the store with their little kids in tow are encouraged to shop seriously:

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free healthy snacks for shoppers’ tag-alongs
We picked up some BBQ from the Cross Ties restaurant, which consisted of a bar straddling two train cars.

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Inside the Cross Ties waiting for our take-out order
Our order included “a plethora of sauces,” including the famous Carolina BBQ sauce that is vinegar with some hot pepper flakes. When I saw the vinegar and flakes in the little plastic cup, I thought, “What are we supposed to do with this?” but when applied to the smoked pulled pork, it tasted so right!

A Little Mermaid with Remnants

Google “Mermaid Blanket” and, would you believe, you’ll get way over nine million results!

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results for Mermaid Blanket

Mermaid blankets were one of the “it” gifts for Christmas this past year, for a  girl toddler,  teen or tween relative. Some were knitted, crocheted, and sewn from fabric. I didn’t jump onto the trend wagon, but I saw on Social Media that many big and little girls were posing with their fishtail blankies for the camera.

I found a couple of remnants that might go together as a cute mermaid blanket. What do you think?

fish tail remnant fabrics
fish tail remnant fabrics

This size blanket is for a tiny four-year old. The blanket sheath is a polyester teal metallic mermaid fleece, 57 inches wide, remnant of .972 yard. The tail fin is from a remnant that I’ve had in the stash for eons, no idea where it came from. It’s a stiff, satiny, iridescent fabric that looks pink from one direction and purple from another. The saran-wrap looking flap on both sides of the tail is a Bumi Pearlized sheer lilac remnant just less than a yard in length.

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fish tail

No pattern was used in the creation of this project. I just folded the pink/purple fabric, double,  in half and sketched a tail fin  shape on one side so that the fold was down the center of the fish tail, then cut it out. Thus, the tail was symmetrical on both sides. Then I unfolded it and seamed it together on all sides except for the opening at the top. Then I turned it inside out and pressed it, so that the edges carried that fishy curve.

It would have been perfect if the pearlized fabric was the same size, so I could have just duplicated it and made a casing for the purple satin. But the pearlized remnant was smaller than the finished tail. So I played with the idea of attaching the pearly fabric as a ruched flap on either side of the tail, so it would flutter and swish like a real fish’s tail swerving around in water. Maybe a hair-brained notion, but there it is.

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the plume-y tail

After ruching the sheet of pearl in several places (centers, sides, and diagonally at corners), I cut a slit in the top fold, and since the slit ended up being a few inches longer than the tail side of the blanket, I sewed a basting stitch around the edges of the slit and drew it together, pulling on the basting thread, until it matched the size of the satin tail. Then I sewed the pearl fabric on to the satin tail at the top. Turning the blanket fabric inside out, and matching it up to the opening of the tail, with right sides of blanket and tail together (a fabric sandwich of blanket, wrong side up, on top;  pearl right side up, in the center; and satin, right side up, on the bottom) sewed tail to blanket in a 5/8″ seam, making sure the pearl material was lying flat at the seam line inside.

Continuing to play around, I hemmed the top edge with a rounded Short Serpentine stitch:

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hemmed edge

It’s still a little chilly at night. This can be a toddler blanket or a grown-up foot warmer. Or maybe the kids can use it as a costume for Let’s Pretend, maybe a little kid version of  Cosplay.

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little mermaid

While technically not a quilt, it is a blanket that is pieced together so it’s pretty close…happy #NationalQuiltingDay and hope to see how others celebrated the day as well!

Reverse Engineering a Springtime Sewing Project

Last week was our Spring Break and we did a whole lot of nothing.

Not complaining,,,not exactly. Our little “first world” problems are not really problems, but choices. We did a lot of householder-type things. And we helped and connected with some other people in our sphere of acknowledgement, ha ha, our little universe. How do you decide if a project is worthy of your time, talent, and trouble?

One thing I took on was to fix some pillows at the request of someone in my circle who takes care of an elderly fellow.

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needlework pillows, before

 

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underside, wool fabric

Someone in the old man’s life had done a marvelous job of creating the needlepoint canvases on these beauties, which now showed a faded frog (?) on a toadstool in the rain and a green polka-dotted slug (?) under a cascade of spring flowers. The pillows themselves looked to be handmade out of a sumptuous yellow wool fabric. But apparently a dog had used them for sport, and the stuffing was popping out of a number of unsightly shreds.

The first step was to undo. The manual equivalent of the “undo” link was to rip out all the seams so that the pillow pieces were left intact,

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Undoing the stitching to salvage the needlepoint (to the left is the new fabric)

to be used as patterns for the replacement fabric. It turned out to be the first real workout I had with the lovely seam ripper Skip made for me, by turning it on the lathe (see kit here).

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seam ripper
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using the old pieces as a pattern

I also saved the cording that was inside the piping edges, two strips of piping for each pillow. The new fabric was a piece of cotton (as far as I know) I had in the stash.

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creating new piping with old cording

The machine has a special foot that I love to use when applying mini-piping, the pre-packaged kind made by Wright’s, but that little groove was not going to work with this larger cording.  So I used the narrow zipper foot, an attachment that is handy for a lot of tasks.

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narrow zipper foot

Next, I needed to sew the piping onto the new pillow backs, and then onto the side panels.

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attaching a side panel

On the first pillow, I went ahead and attached the top piping to the side panel, then sewed the needlepoint panel on 3 sides to the sandwich of piping and side panel. The fourth side would be hand-stitched after the fabric was turned inside out and stuffed with the pillow form. On the second pillow, I sewed the piping directly to the needlepoint panel, then sewed the piped needlepoint piece onto the side panel: I believe this is how the pillow was originally made because I could see the hand-stitching that closed the opening in between piping and panel, after the pillow had been turned inside out and stuffed.

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hand-stitching the opening between the piping and side panel
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turned, stuffed, and ready to be hand-stitched

On the pillow in the forefront above, I hand-stitched directly to the needlepoint canvas, which I didn’t really feel good about, because the machine-stitched one behind it will probably hold up better. I reused the original down pillows, which were scrunched-up a lot inside the smaller pillow casings. But apparently that’s how the owner liked them and they’re very cushiony.

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Eucalan sponge bath

The needlepoint panels were a little faded and soiled-looking, but I didn’t know if I should try to wash them. I finally went to the yarn store and procured a bottle of Eucalan, a highly recommended no-rinse washing preparation for wool and other delicate fabrics. As the brand name hints, it’s made from eucalyptus oil and lanolin. The lady at Yarn Works cautioned that the article shouldn’t be soaked in a liquid because that would remove the sizing from the needlepoint canvas. So I mixed about a spoonful in a bowl of warm water and dabbed a clean wash cloth in it, then wrung it out and gently rubbed it over the smudgy areas of the needlepoint. It didn’t come out looking brand-new; actually I can’t tell any difference in the color or brightness, but after it dried it smelled a little better than before.

I wonder what the story was behind those little pillows–were they made by his wife, who has been gone for a few years now? Or were they made by another family  member or a cherished friend? I hope they bring to mind a little spring-time cheer!

 

 

 

 

With More Than One Piece of Fabric

I’m loving an article in the current issue of Threads magazine: “The Lost Art of Piecing.” This is what my former blog, Project Remnant Review, was all about, pursuing projects that can be made using fabric remnants. Somehow I’ve felt that deep down, a project from remnants is maybe, second class. It satisfies my inner cheapskate. But when I make an item, I know that I didn’t start from scratch, visualizing the finished project, then purchasing the fabric that would make it a stand-out…instead, I “made do” with something I had, and which I no doubt bought at a reduced rate, too. These things I don’t mind. Apparel sewing is nothing but a big experiment for me.

Sometimes I will see parcels of fabric at the remnant rack, that I believe I have some of already, home in the stash. In that case, I might buy the remnant and add to what I have, opening the possibilities for making something out of that fabric.

Take this skirt, for instance:

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stretch satin skirt

I had a little remnant of this that was less than a yard. So when I saw the Vogue pattern V8882 for a pleated, full skirt with a sash, my hopes to make a cute outfit for Valentine’s Day were dashed, because View D of the pattern asks for more than 5 yards of material. I got on the Internet and looked at the store where I originally bought the remnant to see if there was any more of it anywhere, and it referred me to my local Joann’s, which had only 4 yards in stock.

I went and got the 4 yards, but I didn’t have enough to make the article, without piecing fabric together for some of the pattern pieces. This skirt has an interfaced hem facing sewn to the bottom of the hem, then blind-stitched. I pieced the hem facing, since after all, it will be underneath and most likely will not be seen unless the wearer wants to go all out Moulin Rouge, with the high kicks.

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pieced hem facing

The sash is also a remnant, of sheer fabric. Rather than doubling the fabric, folding it, seaming and turning,  like the instructions said, I used one piece of the embroidered chiffon  for each sash end and hemmed the edges of them with a 2mm hemming foot.

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pieced top

This top, view E  from Vogue 8792, was intended to be made from the same fabric, with pieces cut on different positions of the fabric grain. Instead, I made it from two different but similar remnants, one with the multi-colored stripes and one of white, gray and orange stripes. And instead of matching fabric for the neckband, I used black rib knit.

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Vogue 9183

Like the top, this dress was intended to be pieced from two different fabrics, or the same fabric. I’ve seen lots of dresses like this in the middle-age and plus size clothing catalogs I’m apparently a target audience to receive in the mail, I guess because the black panels at the side are supposed to give an illusion of slimness.

panel dress jennyskip
pieced from different or same fabrics

And then there’s this project, Butterick B4597 View C.  The sash/scarf was a remnant, of double-sided red and grey plaid. But the dress fabric I thought I had plenty enough for this view, and I must have screwed up cutting it out to where suddenly, the last pieces to be cut had to be pieced. The two backs could not fit on my remaining fabric, so I pieced them so that there was a seam across the waist area in the back, which made the zipper area at the seam a little bulky, but I pressed it down hard and top-stitched the seam, then top-stitched the neckline and front slit to make it all look intentional.

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pieced dress

Here’s the pattern:

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dress pattern

The finished dress reminds me of something Guinan would wear. I like it although the Ponte knit is really more suited to cooler climates ….on Valentine’s Day here it was in the 80’s.  I have also made this dress before, a few years ago, as shown in this former blog post.

 

Round and Round with Small Window Covers

I got this little circle-making attachment in an after-holiday sale at A-1 Sewing, our local Husqvarna Viking store, and I’ve been trying to get some projects going, so I can make use of it.

circle-sewing jenny skip
circle-sewing attachment

First off,  I used it to decorate some window coverings for a superadobe building. (If you want to see more about this particular building, go to this PlenitudPR website under the heading “Bio-construction.”)

window covers jenny skip
window coverings

You may see this photo and think, “But that looks like a pillow, not a curtain!” True! The proprietors (who happen to be very dear to us) mentioned that their superadobe house could sure use some window coverings, that the windows to be covered were like portholes, about 12 inches in diameter and some were more oval-shaped than round.

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some windows in the super adobe house

They were currently using pillows to stuff in the windows. We came up with some options that did not work, then a few that were more useable.

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window cover attempt #1

This was the first attempt: it looked like a big circular potholder. I used white blackout fabric for one side, batting in the middle, and fabric on the other side, and edged it with double-fold bias binding, with a little strap for pulling it out. Unfortunately, you can see here that it was not quite big enough to plug the hole.

For the second attempt, I tried out a new design, sketched here:

sketch window cover jenny skip
hopeful sketch

The diameter was increased to about 26 inches, the center circle was padded and sewn around, and the outer circle was supposed to slide into the cylinder of the wall thickness to be held in place. But again, this design didn’t work well, although they were able to fold it a certain way to keep it from falling out, so it was somewhat useable, see it in the next pics:

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window cover attempt #2
#2 jenny skip
window cover attempt #2 from the opposite side

The third attempt included the brown dragonfly “pillow” shape shown above. Since they were already using pillows, and that worked…if it ain’t broke, don’t fix it, right? I increased the diameter to about 16 inches and added a lot more fleece padding. Since the diameter was larger than was usable for the circle-making gizmo (maximum diameter for that is 10 inches), I did snap it on anyway and sew some circular designs in the centers of the covers, to quilt the fabric and batting layers together in the middle. The attachment comes with templates to make circles, 4-petal flower shapes, or 6-petal flower shapes.

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attempt #3 with 16″ diameter

And I should be glad to mention that PlenitudPR is an organization that teaches and promotes sustainable living, so we kept that in mind and used fabric remnants for our window covers, and thus kept those leftover pieces of fabric from potentially clogging the landfill.

More about the process here:

Quilting Assembly Line

In a previous post, I referred to the multitude of quilt tops I had ready for quilting.

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future table runner on Realtree camo fabric

Since I got the Qnique and Grace Frame, I may have quilted about 5 or 10 items. I hoped to have acquired expert status with this set up by now, but it hasn’t been like riding a bicycle. The  brain and muscle memories haven’t automatically renewed every time I tried a new project. Each project has its own set of peculiarities!

Since most of the pile (seven of them) consisted of table runners, I thought maybe I could pin several of them up to the Grace Frame, and quilt them all at the same time, and see how it went.

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5 table runners pinned up to the quilting frame

This frame is supposed to accommodate fabric to make a king-size quilt. I was able to comfortably fit 5 of the 7 table runners across the width, with a little space in between each. The backing is pinned (with the right side facing down) onto the first (top, furthest back) leader cloth, and to the second (center) leader cloth. I have marked on each leader cloth a mid-point. Normally I would fold the fabric of the top, bottom, and batting in half and pin that half-way point to the mid-point on the corresponding leader cloths. To match up the mid-points on all these separate fronts and backs of the table runners, I just counted the marks on the top leader cloths and lined them up with the marks on the bottom leader cloths. I realized later, that not all of the table runners were the exact same length,  so that was one major problem with this set up!

A while back I bought 2 big rolls of batting on sale, anticipating that I would be making a whole bunch of quilts. I use one of them most of the time, for the smaller baby quilts and lap quilts. I can position the roll on the floor in front of the frame, and just roll out the batting up  onto the frame as I am rolling out the fabric to be quilted. The one end of the batting layer is pinned to the backing, and then the quilt top is pinned to those two layers, forming the quilt sandwich. I actually purchased a fourth rail for the Grace frame, onto which the batting roll can be wound. One of these days I will find that fourth rail and install it. The second of the two batting rolls is for larger-sized quilts. The batting is folded double, and then wound onto the cardboard roll. So it doesn’t conveniently unwind from the roll like the first one does. You have to unroll the estimated length of batting, cut it off, and then unfold the large section of batting in half, and pin it to the backing.

One thing I enjoy about the Qnique and Grace Frame set up is that pinning the fabric layers to the frame takes significantly less time than pinning the layers of a quilt for quilting on a home sewing machine. You pin the selvedge edge of the backing to Leader #1, then the opposite end to Leader #2, then roll it up on the rails, smoothing it out with your hands. No need for fifty-thousand pins with the little foam bobbers, or safety pins, or clips. However, in this case, since all the table runners were not the same length, and there were so many separate edges above and underneath the batting layer, a bit of mayhem ensued.

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removing the quilted table toppers en masse

All five pieces were conjoined in the batting layer, as seen above. But when the ruler base attached to the throat plate of the Qnique slid across to continue quilting the top next to it, it sometimes slipped the backing layer of its neighbor (underneath the throat plate) out of alignment, which wasn’t easily seen from the top side. And because all the tops and bottoms were of slightly different dimensions, some of the backing layers had a bit of slack, which wasn’t easily seen from the top, and which resulted in a few big puckers.

DH (Skip) suggested that next time, I sew the edges of each runner together prior to quilting them on the frame. I don’t like that idea, because I feel that the seam ripper should be used for ripping out undesirable stitches that occur by accident, not on purpose. But, if I ever do 5 at a time again, it might be worth a try to see if sewing them together causes less shifting of layers.

After the quilting, and cutting out the separate runners, and truing up the edges, I found that I would need to rip and redo several areas of quilting, due to puckers, overlaps, and other unsightly mistakes. In a couple of spots, when I slid the Qnique over to the next runner, the hopping foot got entangled in the edge of the top fabric and had to be cut loose with scissors. Sheesh.

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overlap from the throat plate sliding under and shifting the backing
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big pucker

The worst shifting and puckering occurred in the inner  three table runners. The outer two turned out with the least amount of rework needed, perhaps because the bungee clips which hold the fabric taut, are attached to the two outside runners. This is the reason for DH’s suggestion that all the lengthwise edges be seamed together for quilting, so that the tops and bottoms are one continuous piece of fabric during the quilting step. But I also feel that these errors can be chalked up to overall unfamiliarity with the process. Perhaps they could be prevented in the future by smoothing all the fabric pieces, exercising extreme vigilance of the under layer, and perhaps installing the fourth rail and rolling the batting on it, thereby keeping the batting layer more taut and uniformly stretched out during quilting.

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Best result, one of the two end runners

Next pass, I pinned up the last two table runners to the frame. These, too, were of slightly different lengths, so one of them had some slack in it during the quilting step.

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last two runners quilted together

I pinned them up closer together, practically touching, but I didn’t sew the edges together. I ended up with a couple of minor puckers and overlaps. But the one with the pink backing, because of its additional length compared to the other one, had about a 5-inch space at the end that couldn’t be passed over with the machine, because its neighbor was already at the end of its quiltable area.

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unable to finish this area

So this last little bit, as well as several areas on the previously mentioned runners that had to be picked out and re-quilted, were done on the Brother SC9500 with the free-motion hopping foot installed. BTW, that Brother is an awesome little machine, and very affordable!

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Rework on the Brother machine

I did manage to get all the quilts (3) and table runners (7) finished, reworked if necessary, and bound. Here are a few pics of the finished items.

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lap quilt from Robert Kaufman Celebrate Suess fabric collection
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Lap quilt with Robert Kaufman Celebrate Suess IV precuts
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Christmas Tossed 9-Patch lap quilt (pieced last year) with red satin blanket binding
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Orange and Blue/Camo table runner

 

 

 

Mossy Oak runner
Mossy Oak Breakup/ stitched camo remnant runner
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Gator collegiate fabric/ RealTree remnant runner
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Red berry Tree Hugger/Real Tree remnant runner
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Pink Tree Hugger/ Real Tree remnant runner
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TrueTimber MC2 remnant runner

The last one is not bound yet, because I couldn’t find anything in the stash right away that would make it “pop.” But the cats love it already. This is a slippery, satiny fabric that is possibly meant to represent snowy winter camouflage. For a backing, I used a silvery hologram-looking knit fabric. I love all of the camo remnants!

The Tree Hugger machine embroidery pattern came from Embroidery Library.

So the Assembly Line experiment was not trouble-free, but it was an adventure!

 

 

On October 31

Skip, who is somewhat tone deaf, was trying to tell me about the famous Halloween Song that they always sang when he was a youngster.

“You know, the song “On October 31?” he said.

” No, I’ve never heard of it.” I said.

“You know, this one…” and he started singing it. It went like this.

“Oh, yes, that one. I didn’t know it actually had words.” I said.  “It’s from the Peer Gynt Suite by Grieg, right?”

“I don’t know,” he said.

Same famous melody, two totally different contexts!

“Music Time” at Meade Heights Elementary School in Ft. Meade, Maryland in the mid-60’s, was sitting in the same seats in our classroom and listening to LP’s played on a portable record player. There were no visuals. Perhaps, as first or second or third graders, the teacher would have us draw what we felt when we heard the music. But I was never introduced to those lyrics that were well-known to Skip. Wonder if it was a regional thing?

Thinking, on the last day of October, how quickly this month evaporated, and that soon it will be gone altogether.

Other October things:

Walkathon jennyskip
Making Strides Breast Cancer Awareness Walkathon

Lately, October has been the month of Breast Cancer Awareness, and every year we have more friends and relatives to whom we dedicate our service and consideration. Here’s hoping for a cure!

As for crafting, it’s been a few weeks of machine embroidery  on dish towels and future table runners. Designs from Embroidery Library.

Grill Sergeant dish towel jennyskip
Grill Sergeant Dish Towel
embroidered awesome dish towel jennyskip
Flippin’ awesome dish towel
Kokka dish towels jennyskip
dish towels out of Kokka fabric

Kokka is a Japanese fabric company. Every once in a while I’ll go to a sewing expo somewhere and find a vendor who has Kokka fabrics–usually in 1/2-yard packages that cost about as much as a yard of other fabrics, but they are so darn cool!

Kokka dish towels jennyskip
I think these are from Kokka too.
green dish towels jennyskip
Dish towels, green theme
Realtree table runner jennyskip
future table runner on Realtree camo fabric

The red and green dish towels were machine embroidered on packaged sewn dish towels from JoAnn Fabric. They are sturdy cotton with a loop on one corner for hanging. The beige dish towels were also pre-made, but I forgot where they came from. The others were sewn from fabric. The table runner is a Realtree cotton duck cloth fabric remnant from JoAnn’s.

Happy October 31 everyone!

A Left Brain Autumn Table Runner Post

For Autumn table runner number 3, I’m doing a left brain sort of a project. Actually they’re all pretty left brain for me, because rather than offering a tutorial or a gallery of images, I tend to analyze everything that went into a project. To the nth degree.

This project looks pretty simple, but it was troublesome to pull off.

I had it in my head that I wanted to do some machine appliqué text letters. But nothing in my pattern files fit. Ditto for the two of my favorite sources for machine embroidery patterns,  Embroidery Library site and Urban Threads. I found the appliqué font for this project, Sporty Script, at Rivermill. It was delivered in a zipped file, including several different sizes. I chose the biggest size, 7 inches, for this.

As this is the first sewing project featuring text as the main design element, that I’ve done in a while, I was experimenting. Just playing around, really, to get a feel for what I could do, how it would end up. My fabrics were remnants, of course, of about a yard each for the top and bottom. The top piece is Hoodie’s Collection for Michael Miller Daisy Drama  in fall colors. The bottom is a mustard-colored Fabric Traditions NTT print with glitter shot through it. At first, I wanted the fabric of the text appliqués to be a yellow-orange or a sherbet-color, but I tried mocking that up, and didn’t like the resulting look much. In the end, I decided on the green batik. It picks up some of the color of the green and beige and yellow in the top fabric, but it’s more subtle than a solid orange or yellow would have been.

The thread for the satin stitch around the letters was a light gold Robison-Anton rayon, color Patricia. When I first bought an embroidery machine, I got several boxes of thread with it from the dealer. I didn’t realize this spool was from the special Marcia Pollard Elegance Collection, as I guess the free box was a sampler of various RA threads. But I liked the color, and have used it for a lot of machine embroidery. The machine’s embroidery software has a matching feature, so that if you don’t have a color your pattern calls for, it will bring up the closest color you have on hand, if you have entered all your inventory into the program’s database. Anyway, I forgot to search in the matching db, but took off for the sewing store thinking I could just grab another spool of “Patricia,” pay, and leave. Wrong. They didn’t have it. So to be on the safe side I got 3 spools of similar gold colors, hoping one of them would be a good match. One of them was ok, but it took some testing to determine that.

To do appliqué embroidery on a quilting cotton-type fabric, I hoop up the fabric and stabilizer(s), in this order: 1) tear-away stabilizer on bottom, 2) table runner top background fabric (the Daisy), 3) fabric of the text appliqués (the green batik), 4) possibly a transparent water-soluble stabilizer on top, but not always necessary. I didn’t break it down into a detailed mathematical placement here, so the lettering is somewhat haphazardly scattered. I did do some general arithmetic to make sure I had enough surface area to put 13 letters down, including 3 upper case ones, that were in a 7-inch font size. As I hooped and appliquéd the letters one or two at a time, I didn’t get the same amount of space in between them, like you would if you were hand-lettering from a Speedball chart. I will need more practice positioning with chalk or a disappearing marker, before trying to eyeball it next time.

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Sorry to report that, weirdly enough, after many attempts, I could not get this photo, taken with an iPhone in the portrait position, to rotate into the correct position!  A WordPress phenomenon! I’ve found since, that a workaround is to only use iPhone photos taken in the landscape position. Unless you know how to insert some code that will get the program not to automatically rotate your portrait photos, which I currently don’t.

I added some leaves and acorns cut with the Accuquilt Go! Big machine and Fall Medley template and applied with Steam-a-Seam 2. Then stitched around the shapes with a machine satin-stitch.

I loaded the top, bottom, and batting onto the quilting frame, with the long edges pinned to the leader cloths, in hopes that it would only take two passes to quilt with the Qnique. It did, but the bobbin stitches for about half of the runner were horrifically ugly.

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Ugly bobbin stitches with obvious tension problem.

I briefly considered leaving this the way it is, because the top looks fine, and hopefully no one will come over for dinner and snoop underneath the runner, to see what the underside looks like. But dang! If they do, seeing this will ruin their appetite for sure. So I picked out all the ugly stitches while watching the Blacklist last night on TV.

Next, redid the meander stitch quilting using sewing machine with a free-motion spring foot, then squared up the corners and edges. For the binding, nothing I had in a package looked good, so I went into the scrap bin and cut up all the scraps of the green batik into 2-inch wide strips, sewed them together, folded the strips in half long-wise, and sewed the binding out of that.

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The applique saying is “Happy Fall Y’all” and with a black cat and a velvet pumpkins on the table, it’s beginning to look like Halloween around here.  Never mind about the digital photo orbs in the background.