Thanks to Google, I was able to quickly find out that the French word for quilt is courtepoint. I have to admit, I’ve never ever seen or heard the word courtepoint before! Not that I have much of a working vocabulary for French anyway; my formal training in French words is limited to 2 years at Herndon High School back in the seventies…“Où est Phillipe? Il est a là piscine….”
But I have a family member who majored in French at the University of Florida. In fact, her grandfather was a French scholar and chairman of the languages department. Owing that French words and being a gator are dear to her heart, I designed a lap quilt around those two elements.
The design is based on the chants they make you do when you go to a football game. “Orange!” “Blue!” “Orange!” Blue!” et cetera. So in French it would be “L’Orange! Le Bleu!” Not exactly rocket science here, but… we’re talking…college football. Then, I added “Allez Gators!” Get it? The standard greeting in Gainesville, if you come across anyone who is dressed in orange and blue, no matter what the occasion, is “Go Gators!”
The stripes in the quilt were made after the manner of Edyta Sitar’s Mix ‘N Match Inspired Scrappy Quilting class from Craftsy. Fabric is cut into strips, then pieced together, then cut into the desired shapes: in this quilt, the shapes were cut from the Rick-rack template on an Accuquilt Go! Big cutting machine. And the green gator was just a freehand sketch.
Sitar has a recommended mix for this type of assembly, with 5 types of fabrics that blend well with colors, including a large print, a small print, a polka dot, a stripe,,,but I used fabrics that match up with the gator licensed collegiate fabric. Florida has a distinctive paprika-colored orange and a royal blue; you wouldn’t want to end up with, say, a Tennessee orange which has more yellow, or the Auburn orange and blue, which is burnt orange and navy blue. Totally different orange and blue. Oh, yes, there’s more to college football rivalry than prowess on the field, you have to get the true colors right. There’s room for some creativity, but one must uphold the standards, as set forth here.
Ah, for the lettering…I could have used one of the cool Rivermill machine embroidery appliqué templates, but the problem there, is getting the individual letters sewn onto the quilt top one by one, with a pleasing amount of space in between each letter. If you’ve ever done calligraphy, using a Speedball pen and ink guidelines book, you’ll recall that every letter has a standard dimension, and the spaces between the letters are not the same. When you are appliquéing letters on a background fabric using machine embroidery, you’d have to know the exact dimensions of each letter and how far apart to space them. I thought it would be easier to just draw out the letters, then attach Wunder-under to the back of the lettering and glue it onto the fabric before satin-stitching around the edges. Easier said than done! Wunder-under consists of a piece of paper that has glue on both sides, one side having an additional backing paper. The idea is to iron it on to a piece of fabric, then peel off the backing, exposing the glue on the other side, then flipping the appliqué over and ironing that side down to another fabric. But to use that “easy” procedure, you’d have to draw the word backwards on to the Wonder-under first, which is something that the left-brained aspect of me, was unable to pull off.
So what I ended up doing, was sketching the word on the back of the Wunder-under, the crinkly, textured side that has the first application of glue to be ironed on, then ironing it onto the wrong side of the fabric, then cutting out around the sketched letters with embroidery scissors and an X-acto knife, then peeling off the backing of the Wunder-under and ironing it down to the quilt top.
After all the appliqué pieces were backed with the adhesive sheets and ironed onto the quilt top, I stitched around them with zig-zag or satin stitching to anchor them down. Then I starched both top and backing (both fabrics being white cotton), and quilted them together in random stipple stitching with orange thread, with a layer of poly-cotton batting in between. I sent off for some pre-wound orange bobbins on Amazon from a dealer who had originally bought them from Superior Threads, and I had no trouble with tension. Then I squared up the edges and applied a binding strip 2 1/4 inches wide, also cut with an Accuquilt die. I bet it would have looked great with rick-rack shaped edges, but I was chasing a deadline at this point, so straight edges it was.
Happy holidays, and though they didn’t even get a bowl game this year, Go Gators!