Skip wanted me to just do a makeover on this sign, or have some element that can be added and removed, to make the sign suitable for other times of the year.
Like one of those all-purpose calendars with a theme or motif rather than months and days.
Turns out, those holographic vinyl letters were very easy to pick off. And the boards themselves took quite readily to a new coat of milk paint and sanding and clear-lacquer spraying.
And the vinyl lettering took not much effort.
I’m thinking of re-doing it with the font a little bigger. But as is, it sort of implies that love is more humble than a flamboyant flourish, just a simple statement that you might have to pay more attention to, to find it. Anyway, it’s been fun to experiment with!
“And Jesus saith unto him, The foxes have holes, and the birds of the air have nests; but the Son of man hath not where to lay his head.” [Matthew 8:20]
Speaking of places in which to lay your head, this project is finally done:
I looked in the fabric stash, and of course I had a suitable remnant just the ideal size to make two of these for our recliners in the TV room. Bright red, already quilted cotton and a green plaid little piece of cotton with a coordinating red stripe. Instead of trying to machine embroider the quilted fabric, I decided to stitch the Santa motif onto a thin piece of red fabric I found, that had slits all over it from something. Maybe it was involved in a knife fight? Or someone at the fabric store opened a box of bolts with a razor blade and slashed it? Or the fabric has been in the stash so long it just shredded from age?
It is a pretty close color match to the quilted cotton, so I just appliquéd it on with a satin stitch. And, I was able to use the mirroring function on the Viking to make two opposite-facing images of the Santa motif, which I bought from Embroidery Library.
I cut the plaid fabric into 5-inch-wide strips, sewed all the pieces into one long strip, then folded the strip in half and pressed it. The idea was to make it like bias binding, except I didn’t cut it on the bias, but rather, the straight grain. I knew better: bias would have been ideal, but I’m too lazy to want to try to cut fabric at the perfect 45 degree angle. Too many opportunities for it to get screwed up, and I’m done when it comes to dealing with more holiday stress! Then I folded each loooooong end of the binding strip under about 1/2″ and pressed them under.
Next step, after binding, was sewing on some Velcro strips to attach the headrests to the backs of the chairs. The sticky-back strip will go on the chairs.
Meanwhile, although it’s chilly outside, gorgeous flowers are blooming in the yard.
Feeling very thankful for this time, this season, this holiday! What is it like in your winter wonderland? What is making you happy?
We like to have our family Christmas party the Saturday before Christmas if possible, that way it won’t interfere with the grandkids’ celebrations at their homes.
By way of decorations, we went with a Buffalo-plaid red-and-black check theme, which seems to be a component of the “farmhouse-style” ubiquitous scheme of holiday decorating this year. Our contribution of craft to the decor was pseudo-barn panel painted and embellished with a holiday sentiment.
Skip put together three boards that were lying around in the shop. I white-washed them with some white milk paint.
After they dried completely, I painted over the boards with red milk paint.
Once the red paint was dry, I “sanded” the boards with Abranet to make some of the white and bare board show through and thus give it a weathered appearance.
Then I painted a rough image of pine boughs, pine cones, and gold ribbon, nothing very specific, using acrylic paint.
We painted the whole surface with clear Danish oil mixed with a little bit of walnut Danish oil to seal it and make it look old. Then, after that dried, which took a really long time because it was cold — I actually blew the hair dryer at it for a short while and that did speed up the drying — we sprayed it with clear acrylic.
Finally, we added a Cricut sentiment out of adhesive-backed shiny holographic vinyl.
There it was, hanging on the wall in the foyer, directing our party guests to the living room where the fun was about to begin!
So far, almost every day since the beginning of October, the temperature has gone up to at least 80° F. But the nights are cooler. Which means I want to have enough blankets on hand.
Blankets are passive accessories until late at night when one is freezing in bed–then they turn into proactive warriors, intent on guarding and protecting you from the enemy.
This is my latest theme quilt for a grandkid who plays music:
The center panel features a big appliqué of a cello (eyeballed and cut) and some musical note appliqués cut using Accuquilt templates, ironed on to the fabric using Pellon Wonder-Under, then machine-sewn around the edges with a satin stitch. I chose colors for the note appliqués, from some American Made brand cotton fat quarters, that matched up with the colorful musical notes on a black background in the fabric I planned to use as the nearest border.
I used a solid black cotton fabric backing, the kind you can buy at Joann’s that is already 108″ wide so you won’t have to piece it for a large-size quilt. And I bound the edges with black Wright’s satin blanket binding, because I accidentally ordered WAY MORE than I needed for a previous project:
Buffalo-check plaid is very popular this year. I made one of these in blue also, both with matching satiny-fabric backings because–they love it, it is ideal woobie-fabric.
Last step was washing before using, with this:
Best as a precaution to keep those fabric dyes from bleeding onto each other. I’m not worried about the American Made Cotton bleeding, but some other fabrics–you don’t know.
I’m slowly coming back from a 10-day fast from Social Media. Some of my friends have done the same, making the 10-day fast not just a pity party of one, but really quite a social experiment.
Some of the results of this time period are eye-opening!
Of course, I had more time on my hands that I felt obligated to fill, doing something else. Being a crafter, you’d think I’d have had lots more time to make crafts. However, I cut back on watching You-tube videos of craft techniques because—You-tube is a form of social media. So my idea stream dried up a little.
Some of the activities that were suggested to do, rather than stare into the social media screen, included reading, exercising, cooking, communicating with real friends rather than virtual ones, hobbies, and cleaning.
I downloaded a couple of new Kindle books and read them, but hey! I was still in the habitual posture of staring at a little screen. Reading a novel is different than reading the little sound-bites and meme captions that you work through for hours a day on Facebook and its cronies Instagram and Twitter. Is a novel, then, better? Am I a better person for sailing on a ship in an ocean of complex constructed plot lines with character development, rather than splashing in the puddles of meme expressions and punchlines?
2. During this time, we celebrated our anniversary, and I didn’t post a pic of these flowers on Instagram like I’ve done past years…
Skip is pretty good with sending beautiful flowers and spreading around a lot of happiness that way. But I couldn’t help wondering if posting the pics is…gulp…humble-bragging? Ugh, Social Media will catch you up in that.
3. Some of my “friends” posted that they were shocked when they realized how much time they spent on those chummy social sites, and they’re going to set a timer in the future. And what a coincidence, a new iOS came out during the 10-day fast, which now actually logs the amount of time I spend on the phone or tablet. It divides the time into these categories: Social Networking, Productivity, and Creativity. I can schedule time to stay away and set limits and restrict myself from certain things. I could probably find a way to fool it into recording something unproductive as productive, but what if it finds out I’m trying to buck the system? I don’t want to be made into an unfavorable example when the Singularity comes around.
4. I’m more aware of my humanness, since I also sustained a physical injury (spider bite?) during the social media fast, probably when I was gardening. That goes to show what happens when you leave the virtual world and try to participate in real-time activities!
The first couple of days I had some serious aches and pains in my right armpit and felt like I was running a fever, but I wasn’t. It felt like a hard, tough miniature heat-infused hockey puck was underneath the bite. As you can see, it’s right at the area my arm would rest on the desk while typing. I kept bumping it on everything. I finally found these colloidal band-aids to keep it covered up, and the swelling underneath gradually went away, after many days.
Perhaps staying off social media sites for 10 days won’t break any long-held habits, but it did give me a long, slow breathing space to ponder the time I’ve actually spent, engrossed in some things I don’t really want to care about!
Continuing from where we left off in the previous post, we did some more work on the Craft Room Re-do.
We added a piece of plywood across the top of the two cabinets, which we planned for the TV and VCR/DVD player to sit on, and nailed up some primed, sanded and painted molding to cover the raw edges. Skip put together a brace made of some strips of plywood, nailed it to the back of the plywood shelf, and fastened the structure to the wall stud.
We’ll have to make sure the electronics line up with their remote controls, to be accessed from the sofa/bed directly across from it:
And, from the point of view of folks whose eyesight can use a boost, Skip added not one, but two lights under the shelf for the workspace:
It looks very utilitarian–and it is! The cabinets are roomy and can be closed and locked, making all those sharp blades, tiny objects, and fume-y chemicals out of the reach of curious grandkids! And everything on, under, and including the table can be moved somewhere else.
We’re re-doing a room in the house that wasn’t using its full potential. It was formerly known as the “Toy Room,” but truthfully, a lot of the “toys” in there were just broken bits of other things and stray parts that came with a game. Whenever the grandkids came over, it looked as if they just grabbed all the available bins full of toys, dumped them all out, scattered them hither and yon, and then their parents would cram everything willy-nilly into whatever bin was at hand when it was time to leave. Any attempt to organize the stuff was ….futile…
I threw out a lot of it, temporarily keeping a few categories of things: doll stuff, doll house stuff, toys with wheels, blocks, animals both current and extinct, potato-head stuff, mag-formers, art supplies, and books.
My poor mom would be scandalized at the condition of the doll house she worked countless hours fitting up. I actually have a big box in the top shelf of the closet FULL of broken doll house furniture, which I replaced with cheap wooden and plastic items that I hoped would be more kid-friendly, but even those haven’t proven indestructible.
I didn’t take a “before” picture, but we moved a huge old Sauder entertainment center out of here piece by piece. It didn’t look too terrible, but it was big and overwhelming, and had digs in the fake-mahogany finish. We had a massive old TV set sitting on the big center shelf, and a VHS/DVD player perched up on the top shelf.
To make the room more useful, I wanted to move some craft and art supplies in there. But I didn’t like the idea of just piling them on shelves, I wanted to lock them away. And I wanted to have a work space next to the storage space. We looked at building a storage and workspace from plywood. We may still do that, but for now, we settled on part-built and part-bought. We ended up buying two relatively cheap stainless-steel lockable cabinets from Sam’s, which we had to assemble, but they came with free delivery, due to our having a Sam’s membership. [I didn’t really say free, did I?]
The work desk in between the cabinets is a very old card table we had stashed away in the living room. It’s already the right height and size for a craft desk, plus it’s moveable. Score!
The cabinets came with 2 shelves, which can be installed any distances apart. The sides have pegboard holes in them, so you can hang things from them, with hooks. The above shelf holds card stock, scrapbook papers, and books arranged in cut-up cardboard boxes. The cut-up boxes are kind of artsy, and are just as functional as these magazine holder boxes shown below, that I actually paid money for, and had to assemble:
The next step will be to install a long shelf above the cabinets, which will support the VHS/DVD player and a newer flat-screen TV that we got free 🙂 , from shopping in another room of the house. We’re going to install some lighting under the shelf and edge the shelf with some molding. Then, with lighting installed, let the crafting begin!
Thanks to Google, I was able to quickly find out that the French word for quilt is courtepoint. I have to admit, I’ve never ever seen or heard the word courtepoint before! Not that I have much of a working vocabulary for French anyway; my formal training in French words is limited to 2 years at Herndon High School back in the seventies…“Où est Phillipe? Il est a là piscine….”
But I have a family member who majored in French at the University of Florida. In fact, her grandfather was a French scholar and chairman of the languages department. Owing that French words and being a gator are dear to her heart, I designed a lap quilt around those two elements.
The design is based on the chants they make you do when you go to a football game. “Orange!” “Blue!” “Orange!” Blue!” et cetera. So in French it would be “L’Orange! Le Bleu!” Not exactly rocket science here, but… we’re talking…college football. Then, I added “Allez Gators!” Get it? The standard greeting in Gainesville, if you come across anyone who is dressed in orange and blue, no matter what the occasion, is “Go Gators!”
The stripes in the quilt were made after the manner of Edyta Sitar’s Mix ‘N Match Inspired Scrappy Quilting class from Craftsy. Fabric is cut into strips, then pieced together, then cut into the desired shapes: in this quilt, the shapes were cut from the Rick-rack template on an Accuquilt Go! Big cutting machine. And the green gator was just a freehand sketch.
Sitar has a recommended mix for this type of assembly, with 5 types of fabrics that blend well with colors, including a large print, a small print, a polka dot, a stripe,,,but I used fabrics that match up with the gator licensed collegiate fabric. Florida has a distinctive paprika-colored orange and a royal blue; you wouldn’t want to end up with, say, a Tennessee orange which has more yellow, or the Auburn orange and blue, which is burnt orange and navy blue. Totally different orange and blue. Oh, yes, there’s more to college football rivalry than prowess on the field, you have to get the true colors right. There’s room for some creativity, but one must uphold the standards, as set forth here.
Ah, for the lettering…I could have used one of the cool Rivermill machine embroidery appliqué templates, but the problem there, is getting the individual letters sewn onto the quilt top one by one, with a pleasing amount of space in between each letter. If you’ve ever done calligraphy, using a Speedball pen and ink guidelines book, you’ll recall that every letter has a standard dimension, and the spaces between the letters are not the same. When you are appliquéing letters on a background fabric using machine embroidery, you’d have to know the exact dimensions of each letter and how far apart to space them. I thought it would be easier to just draw out the letters, then attach Wunder-under to the back of the lettering and glue it onto the fabric before satin-stitching around the edges. Easier said than done! Wunder-under consists of a piece of paper that has glue on both sides, one side having an additional backing paper. The idea is to iron it on to a piece of fabric, then peel off the backing, exposing the glue on the other side, then flipping the appliqué over and ironing that side down to another fabric. But to use that “easy” procedure, you’d have to draw the word backwards on to the Wonder-under first, which is something that the left-brained aspect of me, was unable to pull off.
So what I ended up doing, was sketching the word on the back of the Wunder-under, the crinkly, textured side that has the first application of glue to be ironed on, then ironing it onto the wrong side of the fabric, then cutting out around the sketched letters with embroidery scissors and an X-acto knife, then peeling off the backing of the Wunder-under and ironing it down to the quilt top.
After all the appliqué pieces were backed with the adhesive sheets and ironed onto the quilt top, I stitched around them with zig-zag or satin stitching to anchor them down. Then I starched both top and backing (both fabrics being white cotton), and quilted them together in random stipple stitching with orange thread, with a layer of poly-cotton batting in between. I sent off for some pre-wound orange bobbins on Amazon from a dealer who had originally bought them from Superior Threads, and I had no trouble with tension. Then I squared up the edges and applied a binding strip 2 1/4 inches wide, also cut with an Accuquilt die. I bet it would have looked great with rick-rack shaped edges, but I was chasing a deadline at this point, so straight edges it was.
Happy holidays, and though they didn’t even get a bowl game this year, Go Gators!
It used to be cotton all the way, however, there are so many cool polyester fabrics, it would be a shame to miss out on them. Am I right?
The idea for this Santa blanket came from looking through my fabric stash. The stash includes a big box of polar fleece, minky, minky dot and velour-type fabric remnants, mostly polyester or cotton-poly blends. Our local JoAnn store will roll up some fabric remnants for sale at 50% (sometimes 75%) off.
Most apparel remnants are less than a yard, but most Home-Dec items, including blanket-type material, can be a yard or more. I figure that one yard of fabric 50 to 60 inches wide is a good size for a lap quilt or a baby blanket. If less than .8 of a yard, it would look better pieced with some other fabric.
The main part of this Santa blanket is a high-pile red minky that’s velvety soft on both sides. I think it’s the ideal fabric for a soft blanket. The edges are trimmed with thick bands of white minky dot fabric sewn on right-side edge to back edge of blanket, folded over and sewn down, which are supposed to be reminiscent of the trim on Santa’s hat and suit.
The next is a takeoff on the Santa blanket, except the center part is pieced and backed. The top is made of 3 pieces of flannel (flannel is a cotton fabric) in red, black and white. The top was sewn, right sides together at two edges, to a piece of red minky dot fabric (polyester). Actually, the back is two pieces; I had to add a strip because the back wasn’t quite big enough. The big fabric cylinder was then turned inside-out. Then two wide strips of black minky dot fabric were sewn on the two ends with still-raw edges, folded over and sewn down, à la Santa blanket above.
I wasn’t very happy with the way it looked constuction-wise, so I decided this one is going to be kept on our couch, ain’t nobady’s business if I do. If I decided to give this as a gift, I probably would have put a layer of polyester batting in the center and quilted it together.
If not tacked together in the center (which this one isn’t), these layers of fabric will probably crackle with electricity when you shake out the blanket. I always worry about stuff like that. For instance, you see along the selvage, on really cute children’s pattern flannel and other fabrics, the buzz-kill warning: Not to be used for children’s sleepwear.
You can google this and find that there are several points of view: that some of these fabrics could catch fire easily. But then, commercial pajamas for kids have chemicals in them to serve as flame-retardants to the fabric in case it does catch on fire. I can remember my kids wearing sleepers that, when they’d been washed about a zillion times, really did crackle and spark with static electricity when they were romping around in them. Wonder if the flame-retardant chemicals washed out after a while? Wonder if the chemicals contributed to eczema? Wonder if shaking out these blankets full of static electricity could cause a fire?
And while we’re on the subject of polyester fabrics, there’s a new contraindication going around: shellfish are eating little pieces of plastic that they find in their natural habitats, which are in turn passed on to us at the dining table. Researchers have found that one source of the tiny plastic particles in seafood is run-off water in which polyester clothes are washed. Here’s one article.
We could wall ourselves off from all polyester and acrylic contamination: wear only organic fibers, eat only organic foods, wash with soap that doesn’t contain exfoliating pellets of man-made whatever. Or maybe it’s too late for that? Maybe it’s a step in the ultimate direction of The Singularity, where mankind becomes one with machine…it starts with our food sources ingesting plastic, and then little by little, those plastic components creep into our metabolisms, our anatomies, our selves?
Decorating for the holidays: I’m all for simplifying!
Last year, the kittens were less than a year old at Christmas, and we knew that if we brought an 8- or 10-foot tree into the house, it would get crazy in here. This year, Ponyboy has beefed up to about 16 lbs and when the three cats go racing around the living, dining room, and kitchen, he can be a formidable projectile. So we don’t think we’re ready to go back to a real tree, and got the plywood cat-loving tree we made previously, down from the attic.
The coffee table needed some bright color…lucky for me, I had a cache of remnants that would fit the bill.
I started out with a whiteish piece of fabric, which I thought might work for a center square to machine embroider something on. I ended up giving this Urban Threads design a go: it’s a dirigible-driven sleigh for a steam-punk Santa. Then I squared up the fabric to the design, trimming the block to about 9 inches.
Of all the suitable remnants I had lying around in the hoard, I chose a bright red glitter cotton one, a polyester plaid shot through with gold metallic threads, and a polyester shiny metallic green fabric with diamond-patterned raised stitching.
For the lining or backing…I thought something gold would be good–preferably something I had in the stash that was already wide enough so I wouldn’t have to piece it. I brought out several…
Jackpot, of course I picked the one that was wide enough. I pinned it, right sides together, to the pieced and stitched top, sewed around the perimeter, leaving a fist-size opening, then turned the inside out and pressed the edges. Then I stitched around the edge of the finished square.
On the wall above the mantel in back, is what Skip calls…the Family “Palm” Tree.
Using current technology to create 19th Century crafts