We’re having our big get-together tomorrow so all the kids involved can also celebrate the holiday with other family members as well. We are all pretty much in good health at the moment. We’re looking forward to a fulfilling future. We’re grateful for the ancestors who survived, in spite of many challenges, to extend the familial pedigrees up to this day.
A recent tendency is to “boo-hiss” the Pilgrims who came to America and displaced (a generic way of stating it) the Natives. I don’t think I have any actual Mayflower ancestors, but Skip does. Some of our ancestors may not have done the right thing. They could have stayed in England, or France, or Ireland, or Germany, or (according to Skip’s DNA map) an obscure island out in the middle of the ocean, but somewhere down the line they made a decision to come to the New World. Did they ever imagine a time when someone could record their thoughts and instantly project them, electronically, to folks around the world, without waiting months for a letter in return? Thankful for communications, media, technology. Even though it will, at times, make me totally crazy.
Here’s the panel I hastily painted for Skip to cut into puzzle pieces–about 120 pieces.
We’ve made puzzles before that have the pieces cut out first, then we painted a picture on top of the cut-out pieces. He likes it better to have the image painted on first, then he draws a jigsaw pattern on the back and uses the pattern as a guide for where to cut with the saw blade.
Prior to cutting, he masked the image on the front with painter’s tape. Then, after cutting out, he removed the pieces of tape.
Cutting the pieces generates some dust and small fibrous pieces on the cut edges, which we will deal with once the puzzle is reassembled.
Next step: printing a copy of the subject matter to attach to the box so the kids will know what the puzzle is supposed to look like.
Last year about this time, I blogged about the local Quilting and Bluegrass Festival, here. This year it was very similar, but more so!
Similarities: the Festival was held on a day when our college town had a football game. The Festival showcases 100+ gorgeous quilted works of art. One of the bands that played last year came back: Patchwork. The vendors and store owners in the center had cool crafty eye candy to ponder and peruse, and the quilts were truly marvelous to behold!
Skip was busy helping out with an Eagle Scout project, which consisted of building some chairs for a community group home (he loves it when the younger generation wants to do woodworking),
so I sashayed up to the local shopping center to see some quilts.
Several of these pics include an information sheet pinned to the quilt, so you can zoom up and see the details, thereby crediting those who produced these amazing articles.
I learned there are several quilt guilds in the area, holding meetings at various times, day or night. So there ought to be one that fits the schedule of just about any quilter or wannabe-quilter in town.
I bought this cute mini-table runner from one of the vendors. It’s a great little project to place on a side table in the house during football season. Speaking of which, gotta go watch the game…
I saw an interesting post on Facebook about the celebration of All Souls’ Day in Lithuania. To get some background on the subject, see this post. (from a blog in 2014, but with great info)
Growing up, I never heard much about the two days after Halloween, All Saints’ Day (November 1) and All Souls’ Day (November 2). Is All Souls’ Day the same as Dia de los Muertos? I would love to start some American traditions for All Souls’ Day. Imagine, a public holiday for people to honor and connect with their ancestors! It might spark a new family history revolution!
(this mug is sitting on the desk at our local Family History Center)
Meanwhile, back in Lithuania, the government has issued pamphlets to the people, giving guidelines on what they can do if and when they are faced with an attack from the Russian Army, which is predicted to happen in the very near future: see this article. Googling Lithuania, I haven’t seen anything new posted in the past few days. Is the invading nation waiting to see who will end up being the new leader of the free world?
This is the second autumn table runner post, the first one presented a few posts ago, here. That first one was pretty much general quilting, with a pieced top and a whole underneath side, with batting in between, quilted on the Qnique longarm, or “mid arm,” as some people designate it. The raw edges are bound with Wright’s Quilt Binding.
If you had to categorize this next one, the main descriptive word that comes up is “appliqué.” It is quilted, in that small pieces of fabric were put together on the top. But the underside is not pieced, unless you count that I ripped it in half length-wise and serged the two long halves together. And there is no batting in the center.
Naturally, the fabrics used in these projects are mostly remnants from the 50%-off bin at JoAnn Fabric Store. I had a couple of larger pieces of fabric, say, almost a yard each, for the top and bottom. The top is a plaid fabric with metallic orange-gold threads woven into the check pattern. The backing is a striped very low-pile flannel in yellow, tan, and tobacco-ey colors that wash together. You can see the center seam of the runner above, and I decided to make one side a maple motif, and the other side an oak motif. All the leaf, pumpkin, and blackbird appliqués were cut with the Accuquilt Go! Big machine and templates. I backed each appliqué piece with Steam-a-Seam 2 double-sided fusible web, also cut on the Accuquilt cutter, and then ironed them on to the runner top side.
After the appliqués were applied, I wanted to pull them all together with branches and tree motifs. I looked at lots of methods for yarn and textile couching, which is technically just laying down strands of yarn or string and then sewing over them. Looking through my box of sewing machine feet, AKA my Foot Stash, I found that I had a heretofore unused Yarn Couching Feet Set.
The two plastic feet each had a small hole (one was larger) through which the end of the yarn was to be threaded. You hold the end of the yarn in one hand and move it around, if in “free motion” mode, and then sew over it. (You can also use it with an embroidery hoop and software pattern.) The kit also contained two different types of hooks to mount on the back of your machine, to use as thread guides for the yarn, a device for threading thick yarn into small holes, and some sample yarn and a DVD and basic instruction sheet.
I found this process to be pretty interesting, but this yarn was very slubby and every so often I had to cut and re-thread, because the big slubs wouldn’t go through the hole.
Next, after couching, I needed to sew down the appliqués. Originally I wanted to do a big thread-art project, using different colors of thread to add shading to the pumpkins and also do the tree trunks and branches in embroidery thread. But since I used the thicker yarn, I decided to just basically outline the shapes in one color and not do a whole bunch of shading, and leave it as sort of “primitive” colors and shapes.
After going over all the appliqués with free-motion embroidery, I spray-starched the backing and ironed both top and back, making sure the back piece lined up with the top. Then I sewed all around the edges of the top with Wright’s Bias Tape Maxi Piping in black, with the piping facing inward, toward the center of the cloth. I then sewed the backing on, right side facing the appliquéd side of the top, and sewed the edges, leaving the piping sandwiched between, and leaving about a fist’s length of seam unsewn, for turning. After turning inside out, and hand-sewing the opening closed, I pressed the edges, making sure the piping was peeking out and at the very edge of the seams. Then I top-stitched around the edges, about 1/4 inch from the piping edge, using thread that matched the top (and back for the bobbin thread).
Sometimes people will comment on the nice stitching, so I wanted to come clean and say that it isn’t me who’s responsible for that, it’s my Foot Stash. I use a special see-through foot with a little groove in the bottom, for sewing piping, and another special see-through foot with a metal attachment, called an edge-stitching foot, for top-stitching. And the machine has a triple-stitch function that I use for pretty top-stitching, setting the length on a 5 or so (normally it’s more like a 2.5 for ordinary seams).
It was fun to make, and the cats definitely like it. Sigh. Cat people will understand.
“Come Halloween, miniature ghosts, ghouls, and goblins ring your doorbell. But each of the three freaky frights has a different history and personality.”
“One of the only features these staples of the supernatural share is their ghastliness. Ghosts are considered to be the souls of the dead. They are imagined as disembodied spirits, and are often visualized as vague or evanescent forms; hence, the white sheet routine. The Old English gastmeans “soul, spirit, life, breath.” A red blood cell having no hemoglobin is also called a ghost. ”
The details behind ghoul are far more malevolent and may have inspired a horror film or two. “
“A ghoul is a monster or evil spirit associated with graveyards and consuming human flesh.”
“In modern fiction, the term has often been used for a certain kind of undead monster. By extension, the word ghoul is also used in a derogatory sense to refer to a person who delights in the macabre, or whose profession is linked directly to death, such as a gravedigger or grave robber.”
This puzzle started with what I envisioned as a ghost. However, my skill at drawing in a Word file is extremely limited. So, as you can see from the file I ultimately loaded into the Full Spectrum laser, this could have been anything; ghost, ghoul, goblin or even a skull.
After I cut out the puzzle, I glued on a back to make it a tray puzzle, and after sanding each piece, I put the puzzle together and gave it a white primer coat of paint. I did have to sand each edge of the puzzle a little to loosen it up. The laser makes such a fine cut that it is very difficult to take it apart and put it back together.
After applying the primer, I turned the puzzle over to my wife to again use her artistic talent to make a pearl out of a pig’s ear, although a pig’s ear probably looks a lot better than my puzzle outline. My wife really got into this which really worries me about what goes on in her mind!! After all, she use to work for the property tax collector’s office, so she is familiar with ghouls…which I think inspired her to paint such a ghastly figure! Compare this to the sweet Jack o’lantern she painted last year for my Laser Jack puzzle.
Hope you enjoy the outcome! Subscribe to our YouTube channel and our blog for more projects.
While waiting to be caught up in the next project, I’ve been turning out a few interim FO’s (finished objects) that loosely fit into the category of “covers.”
The main thing they have in common is that they’ve used up larger pieces of fabric that have been lounging in the fabric stash.
These are mostly cotton lightweight lap quilts we sent to the non-profit organization that is closest to our hearts, plenitudpr.org .
The tops of the quilts are cotton flannel remnants pieced together, and the backs are cotton remnants in sizes of about 2 yards. The solid yellow one above possibly has some polyester in it. But the idea was to have a smooth, bedsheet-like side and a warm, flannel side. The edges of the backs extend over the tops, and are folded over and sewn down with a machine featherstitchto make borders.
This one is a lap quilt made from the selvedges of fleece fabrics. A few years back, I was making fleece blankets a lot, and trimming them with packaged Wright’s fleece binding. First, Wright’s discontinued the royal blue fleece binding that went perfectly with Florida Gator trademark pattern fabric. Now, you’ll be lucky if you can find fleece binding on eBay in any color other than black or white. Normal people, I guess, would trash the selvedges, but I threw them in a box, and this is the end result. This little quilt of sewn-together selvedges can also be turned around and used for light non-fiction reading if we get tired of watching TV in the La-Z-boy. Fun for the whole family.
Next, if you’ve seen my Pinterest page, you might find that I’ve gone nuts pinning tablerunners. These little projects are wonderful for expressing creativity, but not getting bogged down in a big, long, quagmire of obligation like you would get making a full-sized tablecloth or a queen-sized quilt. It’s just a little slice of a quilt, the slice with all the good stuff in it!
As soon as we put a covering of any size on a flat surface, a cat’s bohunkus is right on top of it.
This tablerunner was an experiment, using remnants. The top is 5-inch squares pieced together, and the back is one whole piece, about a yard of 44 or 45-inch wide cloth, cut in half lengthwise and pieced together on the short sides. I longarm quilted it, loading the short sides on the frame and rolling out the length. I used the meander stitch, and although I thought I had the tension right from the previous project, it came out with some of those spidery-looking ugly stitches on the back. When Lorraine came over and did a little project, we decided that one problem with the tension was the cheap-o thread I had loaded up. Without even thinking, I got a cone of thread that I normally use in the serger and threaded it up, bobbin too. Next time, we will try thread designated for machine quilting.
Now it’s almost dark at the beginning of the morning walk. For a few days it was cooler. Now it’s hothouse-hot again, and the humidity is above 90% every morning. Sigh.
Mushrooms are flourishing in our neighborhood.
Almost every yard I pass by has a few.
Ooooh…fungus! Even though I like the kind of mushrooms you can buy in the store, I wouldn’t have a clue about how to forage fungi that you can eat without keeling over, poisoned to death (see Death Cap article–says people who ate it found it to be especially delicious!)
This one looks like some that grew in a ring-shaped formation at my mom’s house. Whenever she saw mushrooms growing in the yard, she would make haste to go kick them down. I didn’t see any fairy rings in the neighborhood as I walked. Apparently only certain varieties grow in the ring formation (see Wikipedia Fairy Ring article.)
One of my memorable scared-half-to-death moments was watching the 1960’s Japanese-dubbed-into-English horror flick “Attack of the Mushroom People.” After a walk in the 97% humidity, scratching No-see-um bites and scuffling through lichen-encrusted twigs that fell onto the lawn, it’s easier to imagine the fate of those poor shipwrecked folks in the movie!
I wanted to go to a gazetteer online and possibly identify these varieties, but after looking, I found so many! Even some of the more seasoned researchers put disclaimers on their sites, because they might misidentify some varieties. So I won’t even attempt to post the correct names of these guys here. I never realized there are hundreds of types of mushrooms. They are beautiful, but also a little creepy, too. Maybe in the future we’ll discover amazing medicinal properties in some of these little gems.
The display cabinet is finally (almost) finished! It’s been a long project, slowed down even further because of personal injuries, a hurricane, and multiple design changes during the construction, but we’re so happy with it.
We ordered the glass for the shelves and mirror, and originally planned to pick it up ourselves with the help of our friend Ray and his truck. Then Skip wrenched his ankle, and we decided carrying glass around might not be a good idea, so we rescheduled the delivery and asked for the Glass Company professionals to install it.
Then—wouldn’t you know it—Hurricane Hermine blew in, and the delivery was postponed again.
Once the mirror was epoxied in, we were able to mount the shelves on the brass rods.
We ordered the mirror backing to be 1/8 inch thick, and the glass shelves with a 1/2-inch bevel on the front edges.
We’re going to place felt dots on the undersides of the shelves at the points where they sit on the brass rods. And then Skip will add some molding to the outer perimeter of the mirror.
Shown above are some tentative display items. We’re enthused that we can vary the items we decide to display. According to proper fengshui, you shouldn’t place a mirror directly opposite a door, but I’m hoping that the friendly, creative, familial Qi of the objects we’ve chosen to feature on the shelves will be retained in the home. Currently, nothing is on the lower shelf, because the kittens have been jumping up there and lounging on the shelf with great delight. They are able to reach their little paws up into the next shelf, so we must favor kitten-proof display items there.
The lower shelf has two quilts my grandmother made, and an antique glass service plaque (see more about the origin of service banners and plaques here). BTW, we saw an awesome video recently about making a wooden service banner, from Opa’s Workshop (click to watch!). As for the two quilts, the one on the bottom is chronicled here in a prior post. The top one is a Dresden Plate quilt that was probably originally made in the 1950’s or 60’s. I can see places where my mom tried to mend it with fabric that I recognize from my own stash, part of which I inherited from her stash!
The middle shelf has an antique quilt that my great grandmother made (see a prior post on this quilt here) to the left, and a woven pine needle mat that was made by my grandmother, circa 1960.
The upper shelf has several quilt mats hand-sewn by my mother during the last few years of her life, when much of her precise quilting skills and abilities were stolen by Alzheimer’s disease. But it is heart-warming to me, that she enjoyed piecing beautiful fabrics together into practical projects, even up to the end.
Here’s the You-tube composite of the whole process.
Didn’t want to let a hurricane keep me from my morning walk, did I?
Yesterday morning as I walked in the neighborhood (Central Florida) it was sort of misty and drizzling–“mizzling” as they call it.
We did all the usual hurricane preparedness things: (1) stocking up at the grocery store (other shoppers were buying gallon plastic jugs of water and batteries, my cart was full of BOGO Klondike bars… #thugmormon) (2) making sure we had plenty of pop-top cans of Fancy Feast, the cats’ preferred food, and Super Clump litter, (3) located the car cell phone charger…
Usually it’s a false alarm in our area, as we are sufficiently inland. But the power went off at two-something AM, and it’s still off at almost noon Friday. Rain bands are still swirling across the state. Right now it’s sunny; two minutes ago rain was pelting our roof like a barrage of bullets.
We drove around town charging our cell phones and checking to see which McDonalds’ were open, and saw lots of tree fallout and a fallen tree blocking a side road.
The mirror and glass shelving were supposed to be delivered today to finish the display cabinet, so we don’t know if the glass company will chance it.
Hoping everyone is safe and weathering the storm as it makes its way north and east.
When we had lots of family members descend for the Beach Weekend, we were dragging out bed linens from the closet to accommodate folks sleeping on the beds, couches and floors. I found this quilt my grandmother had made. Part of the crazy-quilt patches had come unsewn, so after everyone left, I took it to the sewing machine to mend and repair it as best I could.
I’d forgotten that my grandmother wrote on the back of it. She had a whole set of these little tubes of “embroidery paint” similar to this modern-day product (click the link to see). For a time period, she was very prolific with the embroidery paint, making pillow cases, sheets, all sorts of things. She had been in the habit of stamping a design or motif onto a piece of fabric, then embroidering (or drawing with the tube paint) over the stamped designs.
This is what she put on the back of this quilt:
Here, on the backing (which looks like it probably was an old sheet, so thin here it is almost transparent) you can see the underside of some heirloom quilt stitching, all hand-sewn. In the next photo, you can see the top side of the feather-stitching, probably done in a few strands of contrasting-color embroidery floss.
The quilt top itself is remarkable too.
It’s made of patches of double-knit fabric, which was an innovative fabric type for those of my grandmother’s era (she was born in 1906). See this article at Seamwork about the differences between the double knit fabrics available then vs. now. John said, “I remember it [the quilt] was really scratchy, the sort of polyester material that leisure suits were made from.” Hence, the soft cotton sheeting on the back of the quilt, which side would go next to the tender skin of a little 4 or 5 year-old great-grandchild.
I’d like to say that I matched the embroidery thread and repaired the blanket in the style and manner of the original–but for me to do that would involve quite a learning curve. I picked a decorative stitch on the sewing machine and put the pedal to the metal. For any curious posterity, it will show obvious mending by machine.
Meanwhile, how enlightening to have this information!
Using current technology to create 19th Century crafts