Category Archives: Crafts

Historic Overview of Stanley Planes: Stanley No. 1

 

Stanley plane jenny skip
Stanley plane

I became interested in antique tools in about 1983.  My interest narrowed to Stanley tools in approximately 1985.  At this time I was fortunate to become acquainted with Roger K. Smith and purchased his book entitled Patented Transitional  and Metallic Planes in America 1827-1927 published by the North Village Publishing Company in 1981.  This began a long period of communications and Stanley tool purchases with Roger. I vaguely remember him telling me that my plane purchases were going toward supporting his children’s college expenses.  Roger was extremely helpful in my passion of learning more about antique planes, their use and history.

The history of the Stanley Tools companies is well documented and I would encourage you to explore the details of the evolution of this company.

What I am presenting in this video is background information on the Stanley No.1 smoothing plane.  In future videos I will discuss the other planes in my collection.  I started out trying to collect one example of each Stanley plane type. This proved to be very difficult and extremely expensive, so I randomly added to my collection over a period of ten years.

In the photo below you can see the trademark on the iron of one of my Stanley No. 1 planes.  The video will show you more photos of this particular plane.  This V shaped logo on the iron is identified in Roger’s book as a Type 11-1910-1920.  There appears to be a ‘B’ on the frog and lever cap, a forging mark for an unknown foundry which showed up on Stanley planes from 1899-1902.  This would indicate that the plane may be older than the iron’s trademark would indicate.

The spring under lever cap became rectangular in 1869 and was banjo shaped prior to that.

The other trademark  showing on my other number 1 plane’s iron dates that iron from  1907-1910.  There are no other marks on this plane.

The Stanley no. 1 smoothing plane was manufactured from 1867 until 1943.  It is 5 ½ inches long with a 1 ¼ inch wide blade.  It is constructed of cast iron with a rosewood handle and knob.  The finish is generally Japanned.  These planes can sell for anything from $1000 to $2000.  There are counterfeit versions of this plane so the buyer must beware!!

According to the Hans Brunner website:

“Without doubt the most famous of all Stanley planes never had a lateral adjuster, never had any number markings. Some models have B or S cast into the bed, others have no markings whatsoever. Early types have a beaded rosewood front knob and a short handle spur. Later types have a slightly longer handle spur and a lever cap embossed with the Stanley name.

Problem areas: fork and (depth) adjuster nut damaged or not working. More obvious damages include: overhang under handle broken off; chipped or enlarged mouth, cracks and chips to sides, damage to top of frog. That one sounds obvious but I’m just as dumb as the next guy when it comes to checking a plane. No matter how good it looks: Always take the lever cap off and check the frog, always turn the plane over and check the overhang under the handle and the mouth.”

In Wood Magazine issue No. 1 Sept/Oct 1984, we find some additional information concerning the history of the number 1 Stanley plane:

“Stanley tools represent a major category of collectible tools, and can form the basis for a rewarding and stimulating hobby. One of the most desirable of Stanley tools for the collector is the diminutive Stanley No. 1 bench plane. This tiny, 5-1/2” long plane poses some interesting mysteries for the collector. First, what was it used for? It’s so small-that even a craftsman with a small hand finds it uncomfortable to use. And second, for a tool that was manufactured in abundance over a 73 year period (1870-1943), why should it be so scarce?
As to the first mystery-its size-the explanation is relatively straightforward. These planes were designed for use by elementary school woodworking classes, and were used in the introduction to the proper care and use of woodworking planes.
The second mystery requires a more hypothetical explanation. With the advent of U.S. involvement in W.W. II came the need for scarce raw materials by factories involved in the rapidly increasing war production industries. Those with memories reaching back that far remember that not only were civilians in general involved in paper and fat saving drives, among others, but schools and other institutions also were called on to collect and donate large amounts of scrap material.
The widespread draft also was a factor. Shop teachers, especially at the elementary school level, came into short supply overnight, thus freeing up the tools and materials formerly used in their courses as vital scrap. Since the majority of No. 1 planes produced were to be found in schools, a large number of these planes were absorbed by the wartime scrap drives.
In case you’re thinking of purchasing a Stanley No. 1, be prepared to pay between $400 and $650 for an example in good or better condition. Also be sure to buy from a reputable dealer who will guarantee the plane is genuine.”

See more images in the video:

In my next video, I will discuss the Stanley No. 2 plane.  I will also discuss the January 3, 1985 letter I received from Roger K. Smith detailing his approach to restoring and caring for transitional and metallic planes.

Prototype Walking Stick

 

We have planned our annual family reunion [aka get away] for this year to be Rumbling Bald at Lake Lure.  From what I understand this is where parts of the original Dirty Dancing movie were shot. Anyway since there are several hiking trails and lots of scenic spots to walk, I thought it would be a good project to make everyone a walking or hiking stick.  This meant mass producing 38 walking sticks!!  These would break down into two sections and fit into a carry bag which my wife would sew together from canvas.  Well the reunion is fast approaching and I just finished the prototype.  So maybe next year!! They might still work if we have a beach get away!

After some investigation, I found that the ideal length of a stick suitable for hiking and walking should be a length determined by holding your arm at your side at a right angle and measure the distance from your out-stretched hand to the floor. I made a cartoon illustrating this measurement and sent it out to all the families. Fortunately for this year, very few people responded.  I picked one of the kids that did respond who also loves hiking and camping, and used his measurement for the prototype…. 41 inches.

The design was comprised of a decorative topper with a lanyard and compass, a wood upper section 1 1/8 inches in diameter with a standardized length of 24 inches, a wood bottom section with a length customized to the user, a brass coupling to connect and unconnect the two sections, and a brass fitting on the bottom section to accommodate an interchangeable tip, a stainless steel point and a rubber point.

hiking stick jenny skip
Finished hiking stick

The topper was padauk cut to a 6 inch length, a hole drilled for the lanyard and then turned on the lathe to a pleasing shape.  This topper tapered down to 1 1/8 inch diameter to mate with the upper section of the walking stick.  The topper was sanded up to 320grit and then friction polish applied. For a finishing touch, I laser engraved the user’s name on the topper.

cane topper jenny skip
laser engraved topper with leather lanyard

A 2 foot length of 6/4 mahogany was ripped to a square cross section and then turned on the lathe to 1 1/8 inch diameter using a spindle roughing gouge.  The spindle was then off set from center slightly and grooves cut at the upper end to enhance the grip on the stick.  The spindle was sanded up to 320 grit, given two coats of dark walnut stain followed up by friction polish. This resulted in a beautiful finish. However for a walking stick with a lot of outdoor use, maybe a wiping polyurethane finish may have been better.  We will see as my son is going to give this prototype a good working out as a test.

hand grooves jenny skip
Grooves cut into the walking stick where the hand grips it

The topper was attached to the upper section of the walking stick with a dowel. The bottom of the stick was drilled with a 3/8-inch bit to a depth of 1 inch so that one end of the brass coupling could be inserted with epoxy.

The bottom section of the walking stick was produced much like the top section, only cut to length to provide the overall 41 inch length.  Two distinct differences, however, in its construction. On one end of the spindle a 1 inch long 12.8 degree taper was turned using a bedan.  The other end of the spindle was countersunk with a 7/8 inch Forstner bit and then a 3/8 inch hole drilled in the center. This allowed me to insert the other part of the brass coupling in the recess so when the two parts were screwed together, you would not see the brass coupling and the joint would be difficult to discern.  I could have done this drilling on the lathe but the bottom section of the walking stick was too long for me to mount a drill chuck on the lathe with a bit with the lathe bed I was using.

Here’s the You tube video that shows some of the process details.

I installed the coupling, the brass fitting for the walking stick tip, the leather lanyard with a nice silver bead on the end [compliments of my wife’s bead stash] and glued a small compass on the top of the topper.  DONE!!  And maybe done for a year.  It will be mailed off to one of my sons for testing.  I am also concerned that the coupling between the two sections of the walking stick may be a weak link. We’ll see if it holds up or if my son ends up careening down an abyss later this summer.

compass on top jenny skip
compass on top

Post-trip Sketching and Planning

There’s something about travel that changes your perspective so much. When you get back from a trip, you can see more clearly things you’ve done that are unproductive. You may have seen a new way to deal with a problem during your travels.

American Way mag
photo of a Karass advert page from the in-flight magazine on the airplane

Especially when it comes to every day surroundings and routines, you can see what doesn’t work and what didn’t have a desired outcome.  You can see why you need to get away and look at a problem with that fresh perspective.

A few cases in point:

When I go on a trip, I usually carry cosmetics and stuff in a blue plastic Caboodles box (it looks like a tackle box or a tool box). Finally, that thing split down the back and once it was clamped shut, it was so hard to un-shut that I ripped all the skin off a knuckle trying to pry it open. Now that I don’t have the plastic box, I came up with a couple of alternative carrying cases to take on trips, and realized what a clunky liability that plastic case had been.

We have more that just a washer and dryer in our laundry room, we also have a rug shampooer, a big bulky canister vacuum cleaner, several mops, brooms, etc., and a collection of seasonal wreaths to hang on the front door. This room is not big enough to hold all that stuff plus ourselves when we need to wash clothes.  Skip realized (while I was gone) that we have a hall closet near the front door that we never consider using, because it is so crammed full of – I don’t even know what’s in there. Possibly old camping equipment from the seventies, hats that no one wears, who knows?  If we get rid of that stuff we haven’t seen in a decade or more, we would have more room for the useful stuff!

One of my New Year’s resolutions was to do more sketching, and more art work in general. I want to get into Inkscape, a free vector drawing program, so we can use it to make projects in other media, like wood, plastic, laser engraving, and 3D printing. Does anyone have any experience in Inkscape,  who can offer some insight?

Meanwhile, I’m acclimating back to the local humidity and heat. Summertime all year round!

yoga sketching jennyskip
yoga sketching

 

Philly Fun in Philly

Looks like my trip to Philadelphia is coming to an end 😶. Glad to get home but will miss the loving family members on this side of the country!

I got to visit my cousin Ben at the Franklin Institute

Related to Ben jennyskip)
Cousin Ben (from the ancestry.com ap We’re Related)
Ben jennyskip
Ben Franklin at his Institute

I found some great unique sewing paraphernalia at the Quilt Academy in Bensalem. We dropped in while they were having a class going on. What a friendly and fun group!

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Quilting swag
Ducks on Delware jennyskip
The shop’s Row by Row project for 2015–so adorable with its fishie buttons
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More shape buttons and fabric in the 2016 kit

I’m sort of new to the whole Row by Row Experience thing but I love the idea, it’s shop-hopping to several quilt shops that have a custom pattern for a row, then adding all the rows together. The idea is to get 8 rows to complete a quilt. Not everyone will go to the same shops, so not all the finished quilts will look exactly the same. The new one for 2017 starts in June. Therefore, I’ve been going around collecting some of the patterns from previous years. Not sure how I will put these older rows together…or if I will just make a one-row project so as not to blend the different themes. Future project….

I got to sample a bunch of the local cuisine.

Cheese steaks jennyskip
Cheese steaks

You know they are called “Philly Cheese Steaks” elsewhere in the world, but just “Cheese Steaks” when you’re here.

Mission BBQ with Old Bay seasoned French fries (AKA crab fries)
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Regional Bay-B-Q sauce, made with you-know-what
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Chocolate gelati & coconut water Ice

I got some updates to my knowledge of the Marvel Universe watching Guardians of the Galaxy 2 in a theater with reclining plushy seats. I could write a post about all the subliminal gags and messages in that movie…

Best of all, I got to hang out with family in the amazing historical city of brotherly love!

Creative in Carolina!

After a fun visit to North Carolina, I’m convinced that it is the friendliest location of all, for artisans and makers of all creative crafts.

First off, I had to make a stop at the Cary Quilting Company.  The shop was busy with pending classes and folks stopping in to visit and talk with the proprietors. I didn’t do any prep work before I darkened their door, to look for particular fabrics or items, but just tried to find interesting things that mightn’t be found any where else. As so many little quilt and sewing shops seem to fall prey to underpatronage in favor of cheaper, more ubiquitous big box outlets, I want to do my part to keep them in business, if I can. Within reason, that is.

Cary quilting paraphernalia jennyskip
snagged some unique Cary Quilting paraphernalia
Clock wise from back left: a packet of patriotic Moda Red, White and Free cotton, the Big Book of Scrappy Quilts by Martingale, the Cary Quilting Company Block 3 fabric and pattern for the 2016  Quilt! Carolina Carousel Quilt, I Love North Carolina Pillow Pattern , the 2016 Row by Row Cary Quilting Company pattern and top fabric for “Home in the Oaks,” and a 2017 Plate: “Stitch Local.”

The pillow pattern is a pretty fun idea. I’ve never really seen anyone get excited about an odd-shaped pillow that represents one of the United States. I live in Florida, and I’ve never seen anyone in FL get excited about a state-shaped pillow. But in NORTH CAROLINA, the residents react with utter delight! “Oh, cool!” they say when they see it. Like they’ve always wanted a very odd-shaped, off-kilter, jaggedy, state-shaped pillow and they just now realize it! Or a North-Carolina-shaped mobile hanging from their ceilings, or Christmas ornament, or doorknob hanger! I mean, they get almost as excited about a North Carolina-shaped pillow as we do about a plushy Florida gator!

Meanwhile, we stayed in Carrboro, a creative little town that is an extension of Chapel Hill, the home of UNC. Carrboro is overflowing with charming little crafts stores and hippie hangouts. One shop, WomanCraft Gifts, had loads of handmade things from local artists, including jewelry, wooden pens that had been turned on a lathe, wood segmented bowls and boxes, paintings, ceramics, quilts, dolls, clothing, all sorts of things from the practical to the beautiful.

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apron with attached tea towel
I found this apron with an attached tea towel sewn into the waistband, and I had to get it! Why? Because the tea towel reminded me of when my grandmother taught me how to do Swedish Weaving when I was little, on huck cloth like this aqua-colored piece here. This apron is of a very soft fabric. And what a great pattern.

Another creative item on sale in WomanCraft was the Chapel Hill Toffee, which is made by a local family business. Ah, yeah! It definitely tastes as good as it looks on the box top here:

Chapel Hill Toffee jennyskip
Chapel Hill Toffee
We took a stroll through the Historic Carr Mill Mall, which has several gift shops, a perfume shop, high-end clothing and shoes, and a savory fabric shop: Mulberry Silks.

Carr Mill Mall jennyskip
Carr Mill Mall
We picked up some sumptuous food items from the friendly market, which was having a couple of taster specials going on. Patrons who come into the store with their little kids in tow are encouraged to shop seriously:

fruit jennyskip
free healthy snacks for shoppers’ tag-alongs
We picked up some BBQ from the Cross Ties restaurant, which consisted of a bar straddling two train cars.

Cross ties jennyskip
Inside the Cross Ties waiting for our take-out order
Our order included “a plethora of sauces,” including the famous Carolina BBQ sauce that is vinegar with some hot pepper flakes. When I saw the vinegar and flakes in the little plastic cup, I thought, “What are we supposed to do with this?” but when applied to the smoked pulled pork, it tasted so right!

A Project to Honor My Spirit Animal

Hey, remember a couple of posts back, when we looked at taking non-credit college courses online?  [Creativity and Connections] I took a Coursera class taught by some instructors at the University of Florida, called Healing With the Arts.

The class took us through a module a week, covering visual arts, music, dance, creative writing, drama, and we breezed through many interesting forms of expression. Although my life was hectic during the time, I’m now on the final week of the class, and I found myself needing to submit a final project, so here I am.

At one guided imagery session, the instructor encouraged us to become acquainted with our own “Spirit Animal.” [Being a Harry Potter fan, I usually substitute “Patronus” whenever the phrase Spirit Animal is used.] During the actual session, one of my cats, Ponyboy, burst into the room and insisted on cuddling with me at the exact point in the guided imagery when I was supposed to come to a clearing in the forest and meet my Spirit Animal. So, he became, in actuality as well as in imagination, my Spirit Animal.

This video goes through the process I used to create a bracelet that has a drawing I made of Ponyboy, laser engraved on it. As shown in the video, you could make a drawing, reduce it or enlarge it, or you could use a photograph, or you could laser engrave a .pdf you found on the Internet. A client could change up the decoration on the bracelet, using colored yarn, different beads, or any number of variations. If the laser printer was used in a hospital setting, it would need to have some ventilation.

Altogether a very interesting class! I will keep going back to the journal I created for the class, and try to keep it going to stimulate creative projects that have other good, healing results!

People and Things From the Past

Long time, no post!

We’ve each been sucked in to pursuits other than Crafting in the 21st Century recently: Skip has been moving wood into a new woodshed and pondering a new series of lectures he wants to do involving some of the many antique tools languishing about the place. Check out the trailer:

I’ve been consumed by my OTHER hobby, family history.

My mom passed away a few years ago, and although I’ve looked through the several boxes of her family history files here and there, it was just a few weeks ago that I felt that I should really get into it and do something with all the data that she collected during her lifetime.

In the boxes, I found letters to and from people who gave her pedigree information, notes from Historical Society meetings, receipts from Vital Records bureaux, from back to the days when first-class postage was 2 cents. She would go to a county courthouse or a library, and copy passages from books in long-hand, because there wasn’t a photocopy machine back then. [And her handwriting wasn’t the easiest to decipher, but who, besides me, can decipher it?]

She compiled a book about one of the ancestors, born in 1740, and now I have her notes and correspondence from that. Sometimes I’ve looked up things on websites, and been ecstatic at the new data I found about one of the ancestors, only to go to her files and discover that she already had that piece of information, for which she actually paid money to a record researcher, but somehow the information never got recorded on a chart  or got lost.

She wrote out reams of family group sheets and pedigree charts. At the bottom of each one is a list of her sources. I can now look up some of the books she found, in Google, and many have been digitized and are available online for free. Awesome; if I can’t read her writing, I can sometimes look up the source and the page number, and voilá, it comes up online, like magic. I just copy and paste the URL of the source document on my online pedigree chart, and it is there for another cousin to search up and collaborate with.

Probably the site I love to work in most, is Familysearch.org. I love the Sourcelinker, the Search Records functions, the Wiki. And the site is free. How in the world can so much information be available to the public for free? I know, because I served as a volunteer support person for the site for 3 years. And, in that role, I became aware of the fact that the site carries a global tree, seeing as how we are all part of one big huge family, and anyone can supplant your data with their data, and you can’t cry foul about the outcome. So I’ve been transferring lots of the information I have into some of the other sites that have individual trees, which can’t be changed by anyone but the owner. Those sites are excellent, too. Family history has become such a popular hobby, and more records are being added all the time to help with the ongoing research.

It’s been great to find that some of my female progenitors also sewed, quilted, and crafted during their time in mortality.

gggmother jenny skip
Maternal great-great grandmother

This female progenitor grew up in New Brunswick, the daughter of a Canadian and a Scottish immigrant. She crossed the border  to work at a textile mill in Maine, where she met her future husband.

grandma, Marg jenny skip
my grandmother (on the right) and her sister

These sisters came to the US with their family in 1912. They came equipped with phenomenal knitting skills!

grandad and mother
grandfather and his mother

I have the remnants of a crazy quilt made by this great-grandmother, in beautiful mauves and beiges and indigo fabrics.

Family history: another “craft” using 21st Century Technology to document and delve into the past! Amazing, isn’t it, how clear and beautiful are these photographs that have survived many decades!

 

 

A Little Mermaid with Remnants

Google “Mermaid Blanket” and, would you believe, you’ll get way over nine million results!

Mermaid blanket jennyskip
results for Mermaid Blanket

Mermaid blankets were one of the “it” gifts for Christmas this past year, for a  girl toddler,  teen or tween relative. Some were knitted, crocheted, and sewn from fabric. I didn’t jump onto the trend wagon, but I saw on Social Media that many big and little girls were posing with their fishtail blankies for the camera.

I found a couple of remnants that might go together as a cute mermaid blanket. What do you think?

fish tail remnant fabrics
fish tail remnant fabrics

This size blanket is for a tiny four-year old. The blanket sheath is a polyester teal metallic mermaid fleece, 57 inches wide, remnant of .972 yard. The tail fin is from a remnant that I’ve had in the stash for eons, no idea where it came from. It’s a stiff, satiny, iridescent fabric that looks pink from one direction and purple from another. The saran-wrap looking flap on both sides of the tail is a Bumi Pearlized sheer lilac remnant just less than a yard in length.

fish tail jennyskip
fish tail

No pattern was used in the creation of this project. I just folded the pink/purple fabric, double,  in half and sketched a tail fin  shape on one side so that the fold was down the center of the fish tail, then cut it out. Thus, the tail was symmetrical on both sides. Then I unfolded it and seamed it together on all sides except for the opening at the top. Then I turned it inside out and pressed it, so that the edges carried that fishy curve.

It would have been perfect if the pearlized fabric was the same size, so I could have just duplicated it and made a casing for the purple satin. But the pearlized remnant was smaller than the finished tail. So I played with the idea of attaching the pearly fabric as a ruched flap on either side of the tail, so it would flutter and swish like a real fish’s tail swerving around in water. Maybe a hair-brained notion, but there it is.

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the plume-y tail

After ruching the sheet of pearl in several places (centers, sides, and diagonally at corners), I cut a slit in the top fold, and since the slit ended up being a few inches longer than the tail side of the blanket, I sewed a basting stitch around the edges of the slit and drew it together, pulling on the basting thread, until it matched the size of the satin tail. Then I sewed the pearl fabric on to the satin tail at the top. Turning the blanket fabric inside out, and matching it up to the opening of the tail, with right sides of blanket and tail together (a fabric sandwich of blanket, wrong side up, on top;  pearl right side up, in the center; and satin, right side up, on the bottom) sewed tail to blanket in a 5/8″ seam, making sure the pearl material was lying flat at the seam line inside.

Continuing to play around, I hemmed the top edge with a rounded Short Serpentine stitch:

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hemmed edge

It’s still a little chilly at night. This can be a toddler blanket or a grown-up foot warmer. Or maybe the kids can use it as a costume for Let’s Pretend, maybe a little kid version of  Cosplay.

little mermaid jennyskip
little mermaid

While technically not a quilt, it is a blanket that is pieced together so it’s pretty close…happy #NationalQuiltingDay and hope to see how others celebrated the day as well!

Kitchen Redo with Stone and Wood

 

Recently my wife “suggested” that it might be time to upgrade our countertops from 25 year old grey Formica to granite.

old Formica countertops

So off to the big box store to look at granite samples.  Way too many choices!! But we found a sample we liked so we pulled out the check book and started what turned out to be a very efficient process, unlike any I have ever experienced.  Soon after selecting the sample, someone showed up to develop a template for cutting the granite.  A week or so later we got an email inviting us to go to Tallahassee to inspect our granite slabs. In lieu of making the trip we asked for photos and got a gallery of shots showing us what our slabs looked like. Once we approved the slabs, we soon got a call to schedule the installation. Two very experienced installers showed up, removed the old countertops in a manner so as to not damage them, so they could be recycled to a friend’s home needing new countertops, and installed our new countertops and cleaned up before leaving for home.  The next day a plumber showed up to reinstall the kitchen sink.

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Same sink

This is when I got the bright idea to “upgrade” the kitchen cabinets by adding some wood trim to the cabinet doors.  The cabinets, despite their age, are in great shape.

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new counters, same old plain cabinets

I picked out some red oak from the shop and milled out a piece about 3/16 inches thick, 1 ½ inches wide and long enough to fit on a cabinet door.  I then picked out a couple stains which I thought might match some colors in the new countertops and passed this by my wife.

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some of the various woods and finishes

She picked the golden oak stain as applied to the red oak, two applications followed by a clear coat.  After the selection of the stain, I showed my wife a selection of cabinet handles in the Lee Valley catalog.  A copper and bronze handle seemed to be the best selection for working with the wood, countertops and existing cabinet finish.  The wood strips would be applied to the opening edge of each cabinet door as an accent to the cabinets linking them to the colors in the granite.

After the handles arrived it was time to get to the wood working. Pieces of red oak were cut and milled to size, sanded and finished with stain. The plan was to fasten the handles to the wood strips and then fasten the wood strips to the doors.  Of course the screws which came with the handles were too long, made for ¾ inch thick doors and not 3/16 inch thick trim.  Off to Ace Hardware, where I found 8x32x1/2 inch machine screws to fasten the handles.  Since the wood strips were to be fastened to the cabinet doors, the screw heads had to be recessed in the wood trim.  I used a Kreg cabinet jig to drill the mounting holes in the wood trim for the handles.  Using a Forstner bit set to drill to a depth approximately equal to the screw head thickness, I lined up the mounting holes with the Forstner bit and drilled a countersink for the screw heads.

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attaching handles to wood strip

After mounting all the handles, it was time to start applying these to the doors.  I marked and drilled two holes on each door to allow screws to be inserted from the back of the door into the wood trim. I then applied thick CA glue to the back of the trim, sprayed the door with accelerator and applied the wood with clamps. When the glue had set, I drove screws from the back side of the door to further secure the wood trim.

wood accent with handles jennyskip
wood accents with handles

We were both happy with the outcome.  Now, on to the kitchen drawers, wood trim on the top edge of the drawer fronts with a matching bronze/copper knob.

Here’s a You-tube of the whole process so far:

 

Exploring Creativity and Connections

One of the things I’ve noticed about crafting blogs and You-tube channels is that creative output sometimes comes with a price.

Our creative efforts (and sometimes the efforts seem monumental) don’t always get rewarded with multiple views, likes, and comments. Some of our You-tube videos are “monetized,” that is, they generate a little payment of a fraction of a cent whenever they get subscribers and views beyond a set amount. It’s exciting to go to the analytics page and see if our projects  are popular, to see if some of our fellow creatives subscribe to our sites, or give us comments we want to  respond to.  And BTW I don’t know what happens to that fraction of a cent, do you? I’ve never, to my knowledge, gotten a check or deposit from Youtube, although there’s a couple dollars’ worth of views on the page once in a while. 

We like being creative and doing projects for the fun of it. When it gets to be a competition, that can introduce stress. And suddenly I don’t like doing stuff like that as much.

Having recently “retired” from a volunteer job I was doing for the past three years, I wanted to find something new to do. Did I want to go back to school and pay thousands of dollars to get another degree? No.  Did I want to get a part-time job? No.  I could just do creative stuff with more frequency and intensity. Sounds good in theory, But I would need to self-motivate,

I was Internet-surfing and found some free university classes, which can be accessed from the Coursera ap or web site. I signed up for Healing with the Arts and Personality Types at Work. So far, they’ve been rather transformative!

site pic jennyskip
profile pic for the site

Note that the courses are free but unless you pay the certificate fee, you may not be able to access every section of them, like the quizzes and the peer review. What’s not to like about that? No quiz and no peers judging or criticizing your work, YAY! However, I may heed Skip’s point of view that if you feel the instructor is doing a great job and you are benefitting from their time and experience, you probably ought to go ahead and pay the fee.

I’ve done some journaling on my own, and some with prompts from Julia Cameron’s Walking in this World, one of her great self-help books for developing creativity.  I like looking within to boost creativity, and also looking at other blogs and videos for inspiration.

In these online classes, I guess you could hide from the teacher and your fellow students, but you could project your true persona, too. You get to be creative and interact with like-minded and different-minded sympathetic people, and no one is grading you or goading you. No one is competing with you. No one is trying to change your mind about something you feel strongly about or maybe don’t even care about. It’s for fun. It heals your psyche. You won’t get fired if you create something ugly. You don’t have to hawk your wares. You won’t get your idea for a great project, that got you 10 You-tube views, hijacked by another You-tube personality who then gets a million and a half views. Your friends with their fine arts degrees won’t look at your picture and say, “That’s very…interesting...”

collage jennyskip
Collage in journal for the class Healing With the Arts

Sometimes you need to give that creativity a little jump start!